Wake-Up America!  Part II

Healing Racism

by Dr. Kim McMillon, Professor & Author

https://www.narrativepathsjournal.com/guest-column-wake-up-america-part-ii-healing-racism-by-dr-kim-mcmillon-professor-author/

Dr. Kim McMillon, author, historian, activist, over twenty years of experience producing theatre

The Conversation 

1. How do you become an ally to those experiencing racial oppression?
2.  The public has not protested the atrocities that have been taking place in our country, but yet during a pandemic, people are taking to the streets to protest the death of George Floyd, why?
3.   How do you believe we can change the world for the better?
4.   As a poet, how would you like to be remembered?
5.   What line or stanza of poetry best describes you?

***

Author Teresa Jade LeYung says:  The tagline in Dr. Kim McMillon’s poetathon is: “If not NOW, WHEN?” I believe that that mantra plus the ability to document incidents with our personal electronic devices (especially cellphones) plus the speed in which to broadcast content through social media add up to a World Town Crier galvanizing people to protest the murders of George Floyd, Ahmaud Arbery, Breonna Taylor, and other victims. Here we are, fighting a global enemy named Coronavirus – people old and young risking their lives to save lives – folks making sacrifices by staying home to reduce the spread of infection – friends and neighbors sharing resources . . . yet, all the while, the hideous monster named racial injustice looms across our past and present. What can I do after protesters have gone home? How do I confront apathy and denial? I pledge to get more training from www.ihollaback.org: “We’re on a mission to end harassment—in all its forms.”  The folks at Hollaback! (in 16 countries) have developed new programs, including “Bystander Intervention to Stop Police-Sponsored Violence and Anti-Black Racist Harassment” and “Stand Up Against Street Harassment.” I pledge to not wait to read voting material right before elections but to routinely visit websites of my legislators to communicate to them what laws I want changed, so that I stand with fellow Americans to fully exercise our rights to “Life, Liberty and the pursuit of Happiness.” http://www.archives.gov/founding-docs/declaration

***

Author Teresa Jade LeYung says:  How can we change the world for the better?  While I have no answers, questions weigh on me as a U.S. citizen.

• Education – “Why do zip codes influence how much money a child receives in public schools?  Do ballot measures show this inequality?” https://www.nbcnews.com/news/us-news/tale-two-zip-codes-covid-19-exposes-deep-disparities-u-n1227646
  
• ***
• When the media brag about lowest unemployment rate, I want to know: “How many of these jobs actually pay a living wage?” “Who are selling and buying ‘cheap labor’ and where are the human beings toiling?”https://livingwage.mit.edu/articles  and https://livingwage.mit.edu/articles/61-new-living-wage-data-for-now-available-on-the-tool and https://www.worldhunger.org/  and  https://www.worldhunger.org/hunger-news/united-states/
• ***
• When groups blame immigrants and migrant workers (all tax payers by the way) for “taking away” jobs, I ask  “Why are we denying the fact that U.S. companies send millions of jobs overseas?”  and “What happened to the companies who had urged us to be patriotic by buying products made in the U.S.A.?”  https://www.thebalance.com/how-outsourcing-jobs-affects-the-u-s-economy-3306279
• ***
• Why are we afraid to look at “ugly”?
• Abject Poverty https://www.un.org/en/sections/issues-depth/poverty/
• ***
• Hate and Bigotry https://www.splcenter.org/what-we-do
• ***
• Modern day Slavery also known as Human Trafficking https://www.acf.hhs.gov/otip/partnerships/look-beneath-the-surface
• ***

Do we have a chance of becoming our better selves? Yes! We can wake up! Perhaps if we continue asking lawmakers these and other questions, our united voices shall change the world for the better.

https://www.ihollaback.org  Hollaback!  in 20 cities globally!

***

https://www.standup-international.com/fr/fr  Agissons ensemble contre le harcèlement de rue.

***

 https://www.standagainsthatred.org/   Stand Against Hate

***

https://www.asianpacificpolicyandplanningcouncil.org/stop-aapi-hate/  Stop AAPI Hate

I wish you and everyone around you safety, kindness, excellent health, clear water, blue sky, delicious foods, and sweet laughter!

Bonne journée!

Sincerely,

author Teresa Jade LeYung, mask by Emily O, July 2020 COVID-19 pandemic

Author and Theme Consultant Teresa Jade LeYung

“To help prevent spread of COVID-19, I wear face-covering AND keep at least 6-foot distance with people who don’t live with me.  No blaming No shaming; I protect myself and everyone else.”

Teresa Jade LeYung, American naturalized citizen of Chinese ancestry, is a manuscript-theme consultant, author of Love Made Of Heart (archived at the San Francisco History Center), Build Your Writer’s Platform & Fanbase In 22 Days, and Talking To My Dead Mom monologues, and, advocate for public libraries and public schools. Teresa speaks out and offers resources through her Blog: http://lovemadeofheart.com/blog/

Coach Teresa LeYung-Ryan here to say:  “This is an excellent press release – includes the 5 Ws (what, who, when, where, why) and it highlights local organizations as well as global significance! Cheers to Producer Margie Yee Webb of FEMME the movie!”

Producer Margie Yee Webb says: "Please attend the exclusive screening of the award-winning documentary FEMME: Women Healing the World on Dec. 5, 2013 at Crest Theatre in Sacramento, CA https://www.tugg.com/go/fa2c8s

For Immediate Release:

This exclusive FEMME screening is on Thursday, December 5, 2013, and begins at 7:30 pm at the historic Crest Theatre in Sacramento. The screening will include a Q&A session with Emmanuel Itier (Director), Celeste Yarnall (Producer, Actress), Nazim (Producer, Artist) and Margie Yee Webb (Producer, Writer). Press and audience feedback will be welcomed. FEMME artwork by Nazim will be on display.

producer Margie Yee Webb chooses the historic Crest Theatre in Sacramento for the screening of FEMME: Women Healing the World on Dec. 5, 2013 -- photo by TLR

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**

What to do before hiring an editor for your manuscript?

My advice for narrative non-fiction writers is the same for fiction writers.

“Look at Your Manuscript with an Editor’s Lens”

by Teresa LeYung Ryan–Developmental Editor/Manuscript Consultant/Writing Career Coach

Since writing a story with the intent to engage the reader is so much like meeting a stranger and wanting him/her to be interested in us, I will focus on “how to make the first quarter of your story a compelling read.”

I love working with diligent writers who want to transform their manuscripts into page-turners. However, there are things you can do before you give your work to an editor. Let me show you how you can help yourself.

Does your manuscript pass these tests?

• Planting hook(s) or story-question(s);
• Grounding the reader with the three Ws and the big C (Who?  When?  Where? Circumstances);
• Showing (not telling) what the protagonist wants;
• Paying attention to language and rules

Let’s learn from the pros.

Planting Hook or Story-Question:

In The Woman Warrior: Memoirs of a Girlhood Among Ghosts, Maxine Hong Kingston hooks us with the first line: “You must not tell anyone,” my mother said, “what I am about to tell you…”   Then, Ms. Kingston transitions into her story with:  “Whenever she had to warn us about life, my mother told stories that ran like this one . . .”

Grounding the Reader with the Three Ws and the big C:

In Woven of Water, while the story timeline spans from 1957 to 2005, Californian author Luisa Adams brilliantly shows us who she was as a girl (not with a year-by-year narrative, but with a single exquisite chapter).  Because she grounded us with “who, when, where” and the “circumstances” as to why she had left her love affair with water, we eagerly follow as she takes us into her enchanted world of a “cottage in the forest.”  Another device to ground the reader is the employment of sensory details (not long descriptions).  Sensory details put the reader in the scene/story world.  Re-read one of your favorite author’s books. Study from the masters.

Showing What the Protagonist Wants:

In The Other Mother, young Carol Schaefer wants to ask questions:  “Was there any way to keep my baby?  Was there anyone who would help me find a way to do that?”

In Eat, Pray, Love, Elisabeth Gilbert says: I wish Giovanni would kiss me.

In Love Made of Heart, my protagonist Ruby Lin prays: Please don’t end up like Grandmother (while witnessing police officers escorting her own mother out of her apartment).

Paying Attention to Language and Rules:

Read the first five pages of Angela’s Ashes by Frank McCourt and you will see how this wordsmith plays with language and rules. (You can “bend” the rules to create flow, but you must not ignore them.)

In Bastard Out of Carolina, Dorothy Allison’s protagonist Bone is a girl.  Bone’s voice is convincing in dialogue and in internal monologue. Brilliant use of dialect.

Sentences Deserve Your Attention:

Remember Groucho Marx’s line “One morning I shot an elephant in my pajamas…”? That sentence got a lot of laughs.  But, what if you didn’t want to be funny (ambiguous in this case)?

How would you rewrite these sentences?  See the misplaced modifiers?

• He likes to fish near the Farallon Islands, they jump when they’re hungry at dawn or dusk. (the islands jump?)
• She insists on knowing when I come home and leave, not to be nosy, but for safety reasons. (who is not nosy?)
• Being cautious as not to step on the dog’s tail, the children tip-toed away from him while sleeping. (who’s sleeping?)

To improve your sentence structure and other skills, I recommend these books:

• The Elements of Style by William Strunk, Jr. and E.B. White
• Woe is I: Grammarphobe’s Guide to Better English in Plain English by Patricia T. O’Conner

More Advice:

• In all the stories I referenced above, the authors present memorable experiences by employing authentic details, unusual story-worlds though real, and poetic language. You want to do the same for your story.
• Also, these stories have another vital component–all the plotlines have what Martha Alderson, author of Blockbuster Plots Pure and Simple, calls “Cause and Effect” linked scenes.  Another must-read blog:  http://plotwhisperer.blogspot.com/search?q=first+quarter
• When you’re writing non-fiction and you do not have the luxury of rearranging the sequence of events to create a page-turning plotline, you can engage the reader by using concise expositions to leap over blocks of time in order to focus on the core themes and fast-forward to the next scene.  A helpful website for memoir writers: http://www.memoriesandmemoirs.com
• You the author must show the reader what the protagonist wants, even if the protagonist doesn’t know at first.
• We don’t have to “like” a protagonist, but, we do need to connect with him/her on an emotional level. Perhaps what he/she wants is also what we want.
• Story-telling is a skill learned, practiced, and mastered. May you practice with joy.

In the fiercely competitive arena of the publishing world, how does one stand out in a crowd?  Building relationships is one key to success in this business. Another key is to know how to translate the themes from your life to your writing and articulate those themes as community concerns.  I want to see all hardworking writers realize their dreams. My best wishes to you!

To read other posts in my blog (about writing contests, publishing opportunities, more tips on platform-building), click on [ Home ] and scroll down  OR key in words in the search box to find specific posts. Example: if you key in the words: poetry anthology 2011 into my blog’s search box and click [search], you will see my post containing info about the  Las Positas College Anthology and other contests for other genres (Thank you, Poet Laureate Deborah Grossman!) To read the entire version of a post, click on the title bar of that post.

To see my website for all my books, go to:  http://writingcoachteresa.com

Reach out, not stress out!

Sincerely,

Build-Your-Writer’s-Platform Coach Teresa

Teresa LeYung Ryan–Developmental Editor/Manuscript Consultant, Writing Career Coach, Author, Publisher

Teresa specializes in editing fiction and narrative non-fiction with themes on the human condition.

She likes spunky protagonists in thrillers, women’s novels, memoirs, and children’s literature.

Love Made of Heart is:
• recommended by the California School Library Association and the California Reading Association

• read by students at Stanford University, U.C. Berkeley, CCSF, and many other colleges and high schools.

• used in Advanced Composition English-as-a-Second-Language classes
• archived at the San Francisco History Center

Teresa says: “The more you read, the more your own writing will flow.”  
Please click here for my blog’s home page  http://lovemadeofheart.com/blog/

My fun workbook is now available through Amazon!

BUILD YOUR WRITER’S PLATFORM & FANBASE IN 22 DAYS: Attract Agents, Editors, Publishers, Readers, and Media Attention NOW

http://www.amazon.com/Build-Your-Writers-Platform-Fanbase/dp/0983010005/ref=sr_1_1?ie=UTF8&s=books&qid=1297630400&sr=1-1

http://lovemadeofheart.com/BUILD-YOUR-WRITER%27S-PLATFORM-&-FANBASE-IN-22-DAYS.html

The question is answered by Teresa LeYung Ryan–Book Doctor/Manuscript Consultant, Career Coach, Author

Nina Amir, creator of Write Nonfiction in November http://writenonfictioninnovember.com/ had invited me to be her guest-blogger in 2008, to help answer that question.  My advice for narrative non-fiction writers is the same for fiction writers.

“How to Look at Your Manuscript with an Editor’s Lens”

Since writing a story with the intent to engage the reader is so much like meeting a stranger and wanting him/her to be interested in you, I will focus on how to make the first quarter of your story a compelling read.

I love working with diligent writers who want to transform their manuscripts into page-turners. However, there are things you can do before you give your work to an editor. Let me show you how you can help yourself.

As an editor, the four biggest mistakes I encounter are manuscripts that are weak in these elements:

• Planting hook(s) or story-question(s);
• Grounding the reader with the three Ws (Who?  When?  Where?);
• Showing (not telling) what the protagonist wants;
• Paying attention to language and rules

Let’s learn from the pros.

Planting Hook or Story-Question:

In The Woman Warrior: Memoirs of a Girlhood Among Ghosts, Maxine Hong Kingston hooks us with the first line: “You must not tell anyone,” my mother said, “what I am about to tell you…”   Then, Ms. Kingston transitions into her story with:  “Whenever she had to warn us about life, my mother told stories that ran like this one . . .”

Grounding the Reader with the Three Ws:

In Woven of Water, while the story timeline spans from 1957 to 2005, Californian author Luisa Adams brilliantly shows us who she was as a girl (not with a year-by-year narrative, but with a single exquisite chapter).  Because she grounded us with “who, when, where,” we eagerly follow as she takes us into her enchanted world of a “cottage in the forest.”  Another device to ground the reader is the employment of sensory details (not long descriptions).  Sensory details put the reader in the scene/story world.  Re-read one of your favorite author’s books. Study from the masters.

Showing What the Protagonist Wants:

In The Other Mother, young Carol Schaefer wants to ask questions:  “Was there any way to keep my baby?  Was there anyone who would help me find a way to do that?”

Paying Attention to Language and Rules:

Read the first five pages of Angela’s Ashes by Frank McCourt and you will see how this wordsmith plays with language and rules. (You can “bend” the rules to create flow, but you must not ignore them.)

Sentences Deserve Your Attention:

Nina Amir’s post on her blog  http://writenonfictioninnovember.wordpress.com/2007/11/ is a must-read.

Remember Groucho Marx’s line “One morning I shot an elephant in my pajamas…”? That sentence got a lot of laughs.  But, what if you didn’t want to be funny (ambiguous in this case)?

How would you rewrite these poorly constructed sentences?

• He likes to fish near the Farallon Islands and they jump when they’re hungry at dawn or dusk.
• She insists on knowing when I come home and leave, not to be nosy, but for safety reasons.
• Being cautious as not to step on the dog’s tail, the children tip-toed away from him while sleeping.
• My husband still in bed snoring, I have always enjoyed rising before dawn and I eat my toast and drink my green tea on the terrace.

To improve your sentence structure and other skills, I recommend these books:

• The Elements of Style by William Strunk, Jr. and E.B. White
• Woe is I: Grammarphobe’s Guide to Better English in Plain English by Patricia T. O’Conner

More Advice:

• In all four stories (The Woman Warrior, Woven of Water, The Other Mother, Angela’s Ashes), the authors present memorable experiences by employing authentic details, unusual story-worlds though real, and poetic language. You want to do the same for your story.
• Also, these stories have another vital component-all four plotlines have what Martha Alderson, author of Blockbuster Plots, Pure and Simple, calls “Cause and Effect” linked scenes.  Another must-read blog:  http://plotwhisperer.blogspot.com/search?q=first+quarter
• When you’re writing non-fiction and do not have the luxury of rearranging the sequence of events to create a page-turning plotline, you can engage the reader by using concise expositions to leap over blocks of time in order to focus on the core themes and fast-forward the story. A helpful website: http://www.memoriesandmemoirs.com
• You the author must show the reader what the protagonist wants, even if the protagonist doesn’t know at first.
• We don’t have to “like” a protagonist, but, we do need to connect with him/her on an emotional level.

In the fiercely competitive arena of the publishing world, how does one stand out in a crowd?  Building relationships is one key to success in this business. Another key is to know how to translate the themes from your life to your writing and articulate those themes as community concerns.  I want to see all hardworking writers realize their dreams. My best wishes to you!

Do you know a writer who wants to go to a writers’ conference but can’t afford it? Encourage her/him to ask family and friends to chip in (what better Christmas gift or birthday gift!).

For non-fiction authors: Writing for Change Conference http://www.sfwritingforchange.org/

For both fiction and non-fiction authors:  San Francisco Writers Conference http://sfwriters.org

Sincerely,

Teresa LeYung Ryan

Book Doctor/Manuscript Consultant, Career Coach, Author, Publisher

Coach Teresa edits manuscripts for authors who want to attract agents  & publishers  OR  want to be their own publishers. She specializes in contemporary novels, thrillers, children’s & YA novels, memoirs, short stories, and anthologies. She likes spunky protagonists.

Love Made of Heart is:
• recommended by the California School Library Association and the California Reading Association

• read by students at Stanford University, U.C. Berkeley, CCSF, and many other colleges and high schools.

• used in Advanced Composition English-as-a-Second-Language classes
• archived at the San Francisco History Center

GraceArt Publishing is the publisher of Build My Name, Beat the Game: 22 Days to Identify & Develop My Writer’s Platform to Attract Agents, Acquisition Editors, Publishers, Readers, and Media Attention.

Teresa says: “Reach out, not stress out, when building your writer’s name/platform.”  

To comment on any of my columns (blog posts), just click on the blue title bar of the post, fill in the boxes and press “submit.”  Please click here for my blog http://lovemadeofheart.com/blog/