Posts Tagged ‘antagonist’
December 28, 2019; January 25, 26, 2020
By Teresa Jade LeYung
Every year, I sponsor my Immigrant Experience Writing Contest (short stories, essays, monologues) offered through California Writers Club San Francisco Peninsula Branch and The Literary Stage at the San Mateo County Fair https://cwc-peninsula.org/the-literary-stage/. You do not have to live in California in order to enter any of the writing contests. Some contestants will enter an excerpt from a long piece of work (novels, memoirs) without investing time to rewrite the pages so that the piece would engage the reader with a beginning, middle and ending.
As a theme consultant and a writing coach, and a fan of a few television series, I have found another inspiration when teaching my clients how to show archetype-driven plotlines.
One of my favorite characters is Rhoda Morgenstern in the situational comedy (sitcom) RHODA portrayed by Valerie Harper.
One of my favorite episodes is “One Is A Number” (Season 4, Episode 4, written by Charlotte Brown). I love this episode because this is a stand-alone piece. I do not have to know the backgrounds of the characters. The script clearly shows what the main character (protagonist) wants and how she goes about getting it.
Act 1 – we see relationships, the protagonist’s personality and what she wants.
Fellow: “Rhoda, it was really nice of you to invite me to breakfast.”
Rhoda: “Gary, I did not invite you.” (with a smile)
Gary: “Well, then it was nice of you not to kick me out.”
Rhoda’s sister Brenda arrives to tell her why she can’t go out to dinner and the theatre with Rhoda tonight.
Act 2 – we see Protagonist pursuing what she wants.
Rhoda calls friends; they cannot go with her.
She asks her boss; he doesn’t like going to theatres.
She even asks Johnny Venture, the fellow she has been turning down; he cannot because he’s judging a beauty contest tonight.
Act 3 - Protagonist reveals what the real Antagonist is.
In her apartment, Rhoda paces, she picks up the theatre tickets and puts them down again.
She gets on the intercom with Carlton the doorman. She tells him why she doesn’t want to go out alone at nighttime – she fears what people could be thinking of her, how they would judge her.
Archetype: Carlton is the unexpected ally and mentor
Act 4 – Protagonist has overcome Antagonist.
At a restaurant where tea tastes like coffee (Rhoda is escaping from pouring rain), she meets:
- a taxi driver who is eating his spaghetti dinner
- an old woman named Marie who says she is a stewardess on a rocket on the Martian Space Patrol
- the waitress named Bea who says: “What are you doing out on a terrible night like this?”
Rhoda: “Tonight was a big night for me. I was trying to do something alone.”
Bea: “You married?”
Rhoda: “Divorced.”
Bea: “Sounds like you’re already doing something alone.”
Act 5 -Protagonist has been transformed.
In her apartment are her allies – her sister Brenda, Brenda’s boyfriend Benny, Gary, Johnny.
Rhoda comes home. She says: “I had a great time. It was wonderful. It’s great to go out alone, I found out. I mean, you meet terrific people…. You would have loved it….”
Her boss Jack arrives. “You’re not dead.”
Brilliant line. Rhoda is the opposite of dead.
She has realized a new life. She can go out alone and enjoy herself. She has learned to look at people. She wants to share her discovery with her sister and friends.
They want to leave.
Rhoda says: “You had to be there. I love you all, even if you didn’t get it.”
“Brenda, look at me. Have you ever seen your sister in better shape?”
After Rhoda closes the door, she reaches into her bag and pulls out Bea’s hat (souvenir from mentor archetype) and puts it on her head.
I love how sitcom character Rhoda Morgenstern shows beginning, middle, and ending through an archetype-driven plotline! Thank you, Ms. Charlotte Brown!
Cheering for all Writers and Readers!

Story Theme Consultant Teresa Jade LeYung - photo by Mary E. Knippel, creator of Your Writing Mentor
Coach Teresa, what happened on Feb. 16, 2012 at San Francisco Writers Conference?
Coach Teresa LeYung-Ryan here . . . this is what happened from my point of view. Tell me and my colleagues your point of view by submitting comments to this blog post. How? Click on the blue title bar of this post, scroll down to get the boxes, fill in boxes and click on “submit comment” button.
I took BART into The City and then MUNI #1 to meet co-presenter & colleague Mary E. Knippel. At 6:00pm we were to deliver BE YOUR OWN EDITOR at the San Francisco Writers Conference at the Mark Hopkins Hotel at top of Nob Hill.
Authentic details for writers who want to get to the top of Nob Hill: If you off-board BART at Embarcadero station, come up to street level that is closest to Drumm Street. Walk northward on Drumm, then westward on Sacramento Street (a one-way street). At Sacramento St. (near Davis St.), you’d catch the MUNI #1 bus that travels westward on Sacramento Street. $2 fare (driver gives y0u a transfer that’s good for 4 hours).
The ride is about 10 blocks or .7 mile (through Financial District and Chinatown, and up the hills). If you’re concerned about not knowing how to push the bell or pull the cord to request your stop, ask the bus driver or fellow passengers to look out for you. Off-board at Mason; walk a block southward on Mason to get to California St. (California St. is parallel to Sacramento St.). Wait for signals to cross the street. There you are–at the International Mark Hopkins.
As soon as you step onto the bricked courtyard, courteous hotel employees will greet you.
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Story Consultant and Writers' Platform-Building Coach Teresa LeYung-Ryan happy to present at SFWC again
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I saw Laurie McLean, Barbara Santos & Richard Santos, Nina Amir, Neal Sofman, dear mentors Michael Larsen & Elizabeth Pomada, Stephanie Chandler and other colleagues. Our session was to begin at 6:00pm. Among the writers who attended our session “Be Your Own Editor” were memoirist Jing Li, journalist and novelist Don Hudson and Margie Yee Webb (author of Cat Mulan’s Mindful Musings)!
Thank you, Patrick, for setting up the microphone–the room was long–without the microphone, the writers sitting in the back would have had difficulty hearing us.
Thank you to each writer in the room! Here’s an offer to you if you were in our session on Feb. 16, 2012 – I’ll be happy to read and give feedback to the first 2 pages (double spaced; pages numbered; manuscript title and your full name in the header) of your manuscript. Email me: your full name; your project’s genre; list of your themes. Then I’ll let you know when would be the best time to email me your first 2 pages. I’ll arrange my schedule so that I can focus on one writer a day. My email address is at gmail.com My User Name is: WritingCoachTeresa
Mary E. Knippel & Teresa LeYung-Ryan
Being Your Own Editor
Ensure Your Manuscript 100% Ready For the Next Step
• hire a book doctor/developmental editor OR
• pitch to agents or acquisition editors OR
• be your own publisher
fiction / narrative nonfiction / prescriptive nonfiction (“how-to” books)
YOUR NAME: ______________________________ Your Project: ________________________________
Tool #1 Grounding Reader with the three Ws (Who? When? Where?)
Tool #2 Hooking Reader from first page to last with core theme and “What does Protagonist want?” (in prescriptive nonfiction “What does Reader need?”)
Tool #3 In Fiction & Narrative Nonfiction (both genres are forms of “story-telling”) Who are your protagonist, antagonist, and other archetypes?
Tool #4 In Fiction & Narrative Nonfiction (front story / back story)
Tool #5 Foreshadows Metaphors Recurring Images
Tool #6 Authentic Details
Tool #7 Monologue Dialogue Vernacular
Tool #8 Misspelled words; misplaced modifiers; other frights
and 15 minutes for Questions & Answers
Thank you, dear mentors Michael Larsen & Elizabeth Pomada, for inviting Mary and me to deliver our signature presentation “Be Your Own Editor”!
Thank you, dear Birgit Soyka author of To Drink the Wild Air, for bringing your camera tripod!
Thank you, dear Margie Yee Webb, author of Cat Mulan’s Mindful Musings: Insight and Inspiration for a Wonderful Life, for introducing Mary and me, for taking photos, for having written the purr-fect gift book and letting me show in our session how every page of a prescriptive nonfiction book ought to contain inspiration, wisdom or a metaphor.
Thank you, Camille Thompson, columnist at SanRamonPatch.com, for your gracious help, making our session an enjoyable one.
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- authors & story consultants Mary E. Knippel & Teresa LeYung-Ryan give 8 tools at BE YOUR OWN EDITOR packed house session SFWC–photo by author Margie Yee Webb
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authors & story consultants Mary E Knippel & Teresa LeYung-Ryan attract writers at BE YOUR OWN EDITOR packed house session SFWC-photo by author Margie Yee Webb
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Coach Teresa LeYung-Ryan says: "Wearing your 2 hats as a writer---to polish your manuscript and to build your platform---can be as fun as riding a San Francisco cable car."
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Across the street at the Fairmont Hotel – LEARNING & the BRAIN Conference–Connecting Educators to Neuroscientists and Researchers
Vehicular traffic was blocked off in the area because President Obama was to speak at the Masonic Auditorium that evening!
Coach Teresa here took the cable car to go home and pack for Day II of San Francisco Writers Conference. Please see next post.
Sincerely
“Reach out, not stress out, to materialize your dearest dreams!”
http://writingcoachteresa.com
author of Build Your Writer’s Platform & Fanbase In 22 Days: Attract Agents, Editors, Publishers, Readers, and Media Attention NOW
As editor/story consultant, Coach Teresa helps her clients polish their manuscripts by identifying themes and archetypes.
Her novel Love Made of Heart is used in college composition classes. Thank you, Teachers & Students!
Coach Teresa here. On Monday I was a protagonist who wanted to be with dear friends Luisa Adams and Martha Alderson to celebrate Martha’s new book–The Plot Whisperer: Secrets of Story Structure Any Writer Can Master. I wanted to be with my pals!
My Plot A was sabotaged–the antagonist was the TransBay bus not showing up in Oakland. I had to go to Plot B
While I was in San Francisco, living out my Plot B, I filmed the TransBay Terminal and shared advice about using everyday setbacks to plot drama & tension for your protagonist. Her / His character growth is revealed when you show how she / he reacts and what steps she /he takes to get what she / he wants.
http://www.youtube.com/teresaleyung#p/a/u/0/VIBkQtieMzA
Sincerely,
Coach Teresa
Teresa LeYung-Ryan says: “Reach out, not stress out, when pursuing your dreams!”
$9.81 for ebook; $22 for print edition
Love Made of Heart inspiring adult children of mentally ill parents to speak openly about the stigmas and find resources for their families.
As a manuscript consultant, Teresa LeYung-Ryan loves helping writers identify their themes and archetypes.
YouTube Channel: http://www.youtube.com/teresaleyung
Teresa on facebook! She’s also involved in Women’s National Book Association and California Writers Club.