Teresa Jade LeYung's BLOG

Posts Tagged ‘be your own publisher’

Coach Teresa, what happened on Feb. 16, 2012 at San Francisco Writers Conference?

Coach Teresa LeYung-Ryan here . . . this is what happened from my point of view. Tell me and my colleagues your point of view by submitting comments to this blog post.  How? Click on the blue title bar of this post, scroll down to get the boxes, fill in boxes and click on “submit comment” button.

I took BART into The City and then MUNI #1 to meet co-presenter & colleague Mary E. Knippel.  At 6:00pm we were to deliver BE YOUR OWN EDITOR at the San Francisco Writers Conference at the Mark Hopkins Hotel at top of Nob Hill.

Authentic details for writers who want to get to the top of Nob Hill: If you off-board BART at Embarcadero station, come up to street level that is closest to Drumm Street. Walk northward on Drumm, then westward on Sacramento Street (a one-way street). At Sacramento St. (near Davis St.), you’d catch the MUNI #1 bus that travels westward on Sacramento Street. $2 fare (driver gives  y0u a transfer that’s good for 4 hours).

The ride is about 10 blocks or .7 mile (through Financial District and Chinatown, and up the hills).  If you’re concerned about not knowing how to push the bell or pull the cord to request your stop, ask the bus driver or fellow passengers to look out for you. Off-board at Mason; walk a block southward on Mason to get to California St. (California St. is parallel to Sacramento St.).  Wait for signals to cross the street.  There you are–at the International Mark Hopkins.

As soon as you step onto the bricked courtyard, courteous hotel employees will greet you.

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Linda Lee and Jane Glendinning among the first to arrive to help make SFWC THE writers conference

Story Consultant and Writers' Platform-Building Coach Teresa LeYung-Ryan happy to present at SFWC again

presenters Mary E Knippel & Linda Lee solve mystery over their luggage at Mark Hopkins

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I saw Laurie McLean, Barbara Santos & Richard Santos, Nina Amir, Neal Sofman, dear mentors Michael Larsen & Elizabeth Pomada, Stephanie Chandler and other colleagues.  Our session was to begin at 6:00pm.  Among the writers who attended our session “Be Your Own Editor” were memoirist Jing Li,  journalist and novelist Don Hudson and Margie Yee Webb (author of Cat Mulan’s Mindful Musings)!

Thank you, Patrick, for setting up the microphone–the room was long–without the microphone, the writers sitting in the back would have had difficulty hearing us.

Thank you to each writer in the room!  Here’s an offer to you if you were in our session on Feb. 16, 2012 –  I’ll be happy to read and give feedback to the first 2 pages (double spaced; pages numbered; manuscript title and your full name in the header) of your manuscript.  Email me: your full name; your project’s genre; list of your themes.  Then I’ll let you know when would be the best time to email me your first 2 pages. I’ll arrange my schedule so that I can focus on one writer a day.  My email address is at gmail.com  My User Name is:  WritingCoachTeresa

Session hand-out for Mary E. Knippel & Teresa LeYung-Ryan’s presentation BE YOUR OWN EDITOR

Mary E. Knippel & Teresa LeYung-Ryan
Being Your Own Editor
Ensure Your Manuscript 100% Ready For the Next Step
•    hire a book doctor/developmental editor OR
•     pitch to agents or acquisition editors OR
•     be  your own publisher

fiction / narrative nonfiction / prescriptive nonfiction (“how-to” books)

YOUR NAME: ______________________________ Your Project: ________________________________

Tool #1   Grounding Reader with the three Ws (Who? When? Where?)
Tool #2   Hooking Reader from first page to last with core theme and “What does Protagonist want?” (in prescriptive nonfiction “What does Reader need?”)
Tool #3     In Fiction & Narrative Nonfiction (both genres are forms of  “story-telling”) Who are your protagonist, antagonist, and other archetypes?
Tool #4    In Fiction & Narrative Nonfiction (front story / back story)
Tool #5    Foreshadows  Metaphors   Recurring Images
Tool #6    Authentic Details
Tool #7   Monologue   Dialogue   Vernacular
Tool #8   Misspelled words; misplaced modifiers; other frights

and 15 minutes for Questions & Answers

Thank you, dear mentors Michael Larsen & Elizabeth Pomada, for inviting Mary and me to deliver our signature presentation “Be Your Own Editor”!

Thank you, dear Birgit Soyka author of To Drink the Wild Air, for bringing your camera tripod!

Thank you, dear Margie Yee Webb, author of Cat Mulan’s Mindful Musings: Insight and Inspiration for a Wonderful Life, for introducing Mary and me, for taking photos, for having written the purr-fect gift book and letting me show in our session how every page of a prescriptive nonfiction book ought to contain inspiration, wisdom or a metaphor.

Thank you, Camille Thompson, columnist at SanRamonPatch.com, for your gracious help, making our session an enjoyable one.

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authors & story consultants Mary E. Knippel & Teresa LeYung-Ryan use classics to draw examples for BE YOUR OWN EDITOR at SFWC--photo by author Margie Yee Webb

authors & story consultants Mary E. Knippel & Teresa LeYung-Ryan give 8 tools at BE YOUR OWN EDITOR packed house session SFWC–photo by author Margie Yee Webb

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authors & story consultants Mary E Knippel & Teresa LeYung-Ryan attract writers at BE YOUR OWN EDITOR packed house session SFWC-photo by author Margie Yee Webb

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testimonials from Mary E Knippel & Teresa LeYung-Ryan's BE YOUR OWN EDITOR session

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Coach Teresa LeYung-Ryan says: "Wearing your 2 hats as a writer---to polish your manuscript and to build your platform---can be as fun as riding a San Francisco cable car."

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Across the street at the Fairmont Hotel –  LEARNING & the BRAIN Conference–Connecting Educators to Neuroscientists and Researchers

Vehicular traffic was blocked off in the area because President Obama was to speak at the Masonic Auditorium that evening!

Coach Teresa here took the cable car to go home and pack for Day II of San Francisco Writers Conference.  Please see next post.

Sincerely

Coach Teresa LeYung-Ryan

“Reach out, not stress out, to materialize your dearest dreams!”

http://writingcoachteresa.com
author of Build Your Writer’s Platform & Fanbase In 22 Days: Attract Agents, Editors, Publishers, Readers, and Media Attention NOW

As editor/story consultant, Coach Teresa helps her clients polish their manuscripts by identifying themes and archetypes.

Her novel Love Made of Heart is used in college composition classes. Thank you, Teachers & Students!

Coach Teresa, How do I fix my children’s story? Agent says it’s too episodic.

In my previous blog post about how to remedy an episodic storyline  . . . here’s an argument from one of my clients who writes children’s books . . .

“But kids aren’t that sophisticated, are they? Shouldn’t stories for that age group be episodic?”

Coach Teresa here . . .  Kids know what a good story is, especially if they’ve read the timeless classics (to name a few:  The Hobbit; The Wind In the Willows; Charlotte’s Web; The Phantom Tollbooth; The Lion, the Witch and the Wardrobe. What are other memorable children’s books? Wordsworth the Poet by Frances Kakugawa is a contemporary favorite of mine )

Also, keep in mind that a children’s story has to hook adults (agents, acquisition editors, publishers, booksellers, reviewers, shoppers).  How do you hook adult-readers, even if you choose to be your own publisher?

Answer:  Create memorable characters and follow screenwriting teacher Terrel Seltzer’s advice:  “Someone we care about wants something badly and is having a terrible time getting it.”

Here’s my post from May 26, 2011 about Terrel

I encourage you to set the stage.  Give the reader sensory details—not only sight and hearing but also taste, smell and touch.

To create a story with thematic significance, let your metaphors / similes / inferences move your story forward or provide clues.

Coach Teresa says: “Reach out, not stress out, when pursuing your dreams!”

Want to attract agents  & publishers?  Want to be your own publisher?

• Get your manuscript professionally edited
• Build your writer’s platform NOW

Email:  Teresa_LeYung   at    yahoo.com

http://writingcoachTeresa.com

Coach Teresa  LeYung-Ryan loves to edit:

• novels & memoirs with feisty protagonists and universal messages;
• children’s novels that help young readers understand their feelings and build self-confidence

Coach Teresa, I’m concerned about my manuscript and someone stealing the work.

Coach Teresa here . . . my clients email me their manuscripts–their work being transmitted on cyberspace. This is why I ask all my clients to submit their manuscripts (mss.) in the same format that agents & publishers want them in–your name and book title in the header on every page.

The following information is from http://copyright.gov/

What is copyright?

Copyright is a form of protection grounded in the U.S. Constitution and granted by law for original works of authorship fixed in a tangible medium of expression. Copyright covers both published and unpublished works.

What does copyright protect?

Copyright, a form of intellectual property law, protects original works of authorship including literary, dramatic, musical, and artistic works, such as poetry, novels, movies, songs, computer software, and architecture. Copyright does not protect facts, ideas, systems, or methods of operation, although it may protect the way these things are expressed. See Circular 1, Copyright Basics, section “What Works Are Protected.”

How is a copyright different from a patent or a trademark?

Copyright protects original works of authorship, while a patent protects inventions or discoveries. Ideas and discoveries are not protected by the copyright law, although the way in which they are expressed may be. A trademark protects words, phrases, symbols, or designs identifying the source of the goods or services of one party and distinguishing them from those of others.

When is my work protected?

Your work is under copyright protection the moment it is created and fixed in a tangible form that it is perceptible either directly or with the aid of a machine or device.

Do I have to register with your office to be protected?

No. In general, registration is voluntary. Copyright exists from the moment the work is created. You will have to register, however, if you wish to bring a lawsuit for infringement of a U.S. work. See Circular 1, Copyright Basics, section “Copyright Registration.”

Mail yourself the entire ms. (U.S.mail) but don’t open the envelope when you get it back–the postal mark/date and the unopened envelope serve as evidence.  Note:  You must register your work with the U.S. Copyright Office before you bring a lawsuit for copyright infringement.

My trademark attorney is Robert Pimm. He is also a copyright attorney.

Cheering for writers!

Coach Teresa says: “Reach out, not stress out, when pursuing your dreams!”

Want to attract agents  & publishers?  Want to be your own publisher?

• Get your manuscript professionally edited
• Build your writer’s platform NOW

918-6222  ( 510 area code )

Email:  writingcoachTeresa    at    gmail.com

http://writingcoachTeresa.com

Coach Teresa  LeYung-Ryan

specializes in:   novels   / children’s novels  / memoirs

Dear Writers,

I just submitted my application to become a contributing writer from Examiner.com (thank you, Yolande Barial, for the referral!  Read Yolande’s blog and article on Examiner.com).

Please use my blog to promote yourselves because Writing Career Coach Teresa’s Blog is getting over 17,000 viewers.  Tell my fans about your writing projects — by submitting a comment to this post. To do that, click on the blue title bar of this post, fill in the boxes, then press the [ submit comment ] button.  Need advice on writing and publishing?  Ask me–Coach Teresa.  Keep your questions short and sweet please.

•        Whether you want to be your own publisher or sell rights to another publisher, attract readers/fans now!

•        Whether you write fiction, narrative non-fiction or prescriptive non-fiction, you are THE expert of your experiences and an authority in your field.   Make your name synonymous with the themes/issues/subject matters in your book.

•        When you stick to a program, you develop new habits.  Let Coach Teresa show you how to gain a competitive edge.

•        “A platform is not what I stand on, but what I stand for.”

•        “Build your platform–22 minutes for 22 days.  Your writing career is worth the time.”

•        “Reach out, not stress out.  Help your fans find you!”

Sincerely,

Writing Career Coach Teresa LeYung-Ryan

http://writingcoachteresa.com

Build Your Writer’s Platform & Fanbase In 22 Days: Attract Agents, Editors, Publishers, Readers, and Media Attention NOW (the fun workbook that helps fiction and nonfiction authors gain a competitive edge before and after publication). See reviews on Amazon.

Are there employment opportunities at the Asian American Writers’ Workshop in New York?

22-Day Coach Teresa here, just received an email from AAWW:

“We’ve got some good news and some bad news. The bad news is that we’re sad to announce the departure of Workshop Managing Director Solmaz Sharif, the Iranian American poet and activist who read anti-war poems with us in 2009, dreamt up our speed-dating night, and generally made the Workshop awesome. The good news is we’re proud to announce that she’s won the “Discovery” / Boston Review Poetry Contest, one of the most prestigious national contests for emerging poets!

This also means we’re hiring for two positions: a Development Associate to fundraise for our socially progressive programs and a Program Director to help us put together our quirky yet curated literary events series. Click on the links and apply today!”

The Asian American Writers’ Workshop

110-112 W. 27th St
Suite 600
New York, NY 10001
P: 212-494-0061
E: desk@aaww.org

Also, the 2011 Asian American Short Story Contest will name one grand prize winner who will win a cash prize of $1000 and have the winning story published in an upcoming issue of Hyphen, one second prize winner who will win a cash prize of $350 and 8 finalists. http://www.nycharities.org/events/EventLevels.aspx?ETID=3277

Cheers to job seekers and contest registrants!

Sincerely,

22-Day Coach Teresa LeYung Ryan

Build Your Writer’s Platform & Fanbase In 22 Days: Attract Agents, Editors, Publishers, Readers, and Media Attention NOW is available through Amazon.  Read success stories (on Amazon) from writers who have finished the 22-day workbook I created to help fiction and nonfiction authors gain a competitive edge.  Whether you want to be your own publisher or sell rights to another publisher, attract readers and more readers now!  http://writingcoachteresa.com

http://lovemadeofheart.com/blog/is-there-a-book-to-help-a-writer-build-platform-and-fanbase/

In the summer of 1999, I took 2 three-week leaves-of-absence from my full time day job to plunge into what I knew would be the final rewrite of my novel Love Made of Heart (the story inspired by my mother–a beautiful woman who suffered mental illness all her life).  Three writers (Luisa Adams, Martha Alderson, Susan Canale) read that draft and gave me the most helpful criticism.  I made the improvements.  That summer I queried about 60 agents. By autumn, four agents asked for an exclusive read… I followed protocol.

In December that year, Stacey Glick of Dystel Literary Management (now Dystel & Goderich Literary Management) gifted me with these words: “Teresa, you’re a talented writer.  I would like to represent you.”

An agent’s advocacy doesn’t guarantee landing a publisher.  After receiving 22 rejections from all the acquisition editors she pitched to, and another seven months had passed, Stacey had incredible news.  It’s now April 2001, editorial director John Scognamiglio of Kensington Publishing NY had called Stacey Glick; Kensington wanted to make me an offer–to buy the publishing rights of my novel.  Laurie Perkin was the publisher; Debbie Tobias was Sales Director; Lou Malcangi for lovely book cover; Libba Bray (who is now an author of young adult books) for book jacket copy; Jacquie Edwards for copy editing; everyone who helped in the publishing process. I’ll show my “Acknowledgments”  in Love Made of Heart as another blog post.

Fast forward (I had to deliver more rewrites) . . . eighteen months later on October 1, 2002 the hardcover edition of Love Made of Heart made its debut.  I had so many people to thank. And so many presentations to deliver.

In October 2003 the trade paperback edition of  Love Made of Heart was released.

The trade paperback edition has the same striking book cover as the hardcover.  The trade paperback has my Author’s Note to Reader that the hardcover edition doesn’t have.

Author’s Note to Reader

Thank you for letting me share Ruby Lin’s story with you.  Many readers have asked me what the characters in the novel have done for me.  My answer is this: I’ve learned that behind every face is a compelling story.

Please remember me as a writer who says YES! to compassion for mental illness and NO! to domestic violence and child abuse.

Who is Mrs. Nussbaum?  She lives in all our hearts.  Just as we have the “child within,” we also have the “wise elder within.”  May you always embrace your compelling story and allow your Mrs. Nussbaum to embrace you.

Sincerely,

Teresa LeYung Ryan

www.LoveMadeOfHeart.com

http://www.dystel.com/client-list/#r

http://www.kensingtonbooks.com/finditem.cfm?itemid=6274

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Since 2007 I’ve been a writing career coach.  Since January 2010 I’ve been known as “22-Day Coach Teresa”   The new edition of Build Your Writer’s Platform & Fanbase In 22 Days: Attract Agents, Editors, Publishers, Readers, and Media Attention NOW is available through Amazon.  I created the fun workbook to help fiction and nonfiction authors gain a competitive edge.  Whether you want to be your own publisher or sell rights to another publisher, attract readers and more readers now!  http://writingcoachteresa.com