Teresa Jade LeYung's BLOG

Posts Tagged ‘Christopher Vogler’

Writing Coach Teresa LeYung-Ryan says: “When a plotline and a theme work exceptionally well together, Hollywood producers invest in remakes.”

These 3 movies – Here Comes Mr. Jordan, Heaven Can Wait, Down to Earth – serve as an example.

THEME [ Be true to yourself and everything will be all right.] + PLOTLINE [a man who is sent to heaven before his time (due to an error by an angel) wants his old life back]  =

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Here Comes Mr. Jordan  1941  protagonist Joe Pendleton (a boxer) portrayed by Robert Montgomery

Writing Credits: Sidney Buchman & Seton I. Miller (screenplay); Harry Segall (from the play Heaven Can Wait)

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Heaven Can Wait  1978 – protagonist Joe Pendleton (a quarterback) portrayed by Warren Beatty

Writing Credits:  Elaine May and Warren Beatty (screenplay); Harry Segall (from the play); Robert Towne

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Down to Earth (2001) protagonist Lance Barton (a stand-up comedian) portrayed by Chris Rock.

Probably to honor the original script, the name (and body) that Lance Barton will use at the end of the movie is “Joe”

Writing Credits:   Chris Rock & Lance Crouther & Ali LeRoi & Louis C.K.

Above data regarding writers’ names are from http://www.imdb.com

I, Coach Teresa LeYung-Ryan, recommend:

* Martha Engber’s book and workshops on how to write scenes

* Christopher Vogler’s book The Writer’s Journey (about Hero’s Journey and Archetypes)

* all books and workshops by Martha Alderson on plotting

* your rereading your favorite books and studying that authors’ techniques

Sincerely,

Teresa LeYung-Ryan aka Coach Teresa teaches writers how to transform their email signature-blocks, photos, videos, social media, website/blog descriptions into platform statements . . . to attract target audience/readers/fans . . . before and after publication.  http://WritingCoachTeresa.com and  https://www.youtube.com/user/teresaleyung

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She is the creator of:

• classes, including:
• *For Theme’s Sake: Edit Your Own Manuscript Before Pitching to Agents or Self-Publishing
• *Heroes, Tricksters, and Villains – What Do These Archetypes Want in Your Story World?
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• Immigrant Experience Writing Contest
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• interactive presentations, including:
  • *Help Your Fans Find YOU
  • *Build & Retrofit Your Writer’s Platform

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the author of:

• Build Your Writer’s Platform & Fanbase In 22 Days: Attract Agents, Editors, Publishers, Readers, and Media Attention NOW (workbook);
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• Love Made of Heart: a Daughter, a Mother, a Journey Through Mental Illness (novel used in college classes and archived at the San Francisco History Center);
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• “Talking to My Dead Mom Monologues” (the first monologue received an award from Redwood 10-Minute Play Contest and was staged at the 6^th Street Playhouse in Santa Rosa, CA);
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• her blog (which attracts tens of thousands of writers) at http://WritingCoachTeresa.com helps writers build their platforms before and after publication

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and a proud member of:

• California Writers Club (3 branches! And a past president of the San Francisco Peninsula Branch); and a recipient of the Jack London Award for outstanding service to California Writers Club;
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• Women’s National Book Association-San Francisco Chapter (a past board member).

April 25, 2015

Writing Coach Teresa asks: “How do you hook your reader at the middle of your book?”

Writing Coach Teresa LeYung-Ryan here . . . recording notes . . .  energized from co-teaching with Mary E. Knippel today – Day 2 of “For Theme’s Sake: Edit Your Own Manuscript Before Pitching or Self-Publishing”.

Our students / hardworking authors supplied plenty of inspiration for their own protagonists as well as for fellow-classmates.

Today we focused on the middle of everyone’s manuscripts. Why the middle?

Before I take on the role of the writer, I put on my reader’s hat.  For me, reading a book is like going for a hike on a trail that I’ve never been on before.  By looking at the signs at the trailhead, I know how long I would have to walk in order to get to the end . . .  just as I know how many hours it would take to read a book by seeing the page count.

That hike I’ve started – the sign posts on the first half of the trail are clear and helpful. I know that if I follow the arrows, I will reach the end, and feel great as I always do after a “good” long walk.

I’ve started reading a book. The author hooks me from page one – sometimes that hook is the narrator’s voice/language, other times it’s the subject matter (a topic that I do relate to or one that I would like to know more about).  By page 5 (oftentimes, even sooner) I know what the main character/protagonist wants or needs, and, I want to see what’s going to happen next. So I turn the page.  I am in the story world.

The author had planted “sign posts” to guide me. Those sign posts are called “themes”.

By the middle of the book, that core theme/sign post better be there.  If the story has stopped hooking me, I will put the book down and probably not open it again.  (On my hike, if at midpoint the trail seems to have disappeared, the marker has fallen off its post, and I’m all alone  . . .  do I continue on? By the way, I am not interested in getting lost today. My dinner awaits me at home.)

Such is the task for an author – how to guide the reader with that core theme, scene after scene.

To the dear authors in our class,

That big sheet of paper that Mary gave you today?  Tape the class handouts from Day 1 and Day 2 onto that sheet. Look at those aids every time you meet with your protagonist.  And, ask your protagonist these questions:   “Where are you today on your Hero’s Journey?”  “What do you want ? … in this scene.”

Speaking of “scene” –

Writing Coach Teresa says: “A scene is a compilation of paragraphs that creates a “movie” in the Reader’s mind.  Which means:  action, dialogue, sensory details, and authentic details.

A sequence of scenes guides the Reader in your Story World, and, is a vehicle to show the Hero’s/Protagonist’s transformation.  Go into scene whenever you want to show us what your protagonist is made of.

In real life, if someone says “I’ve changed. Take my word for it.”  . . .  wouldn’t you be thinking . . .  Hmm….    I’ll believe it when I see it.  Instead of telling us how your protagonist has grown, show us through scene, not through summaries.

Summary cannot spark the same emotional responses as a scene would . . . because summary either recaps what has happened or jumps over time in order to get to the next scene.

I recommend:

* Martha Engber’s book on how to write scenes

* Christopher Vogler’s book The Writer’s Journey (about Hero’s Journey and Archetypes)

* all books by Martha Alderson on plotting

* your rereading your favorite book and studying that author’s techniques

The fabulous authors in our class have mighty themes:

* make my own decisions and change my circumstances (author of YA science fiction)

* move on with my life in spite of unanswered questions and a broken heart (author of women’s fiction)

* speaking my truth transforms shame into courage and forgiveness (author of memoir)

* embracing my past and loving myself feed my spirit as well as my marriage’s spirit (Diana Lynn, author of women’s fiction)

Their readers will surely stick by their protagonists and be there at the end of the book.

Cheering for YOU!

Sincerely,

Coach Teresa LeYung-Ryan

on behalf of

“For Theme’s Sake” teachers Teresa LeYung-Ryan & Mary E. Knippel

May 2, 2015 Teresa LeYung-Ryan ( Build Your Writer’s Platform & Fanbase In 22 Days – workbook; Love Made of Heart: a Daughter, a Mother, a Journey Through Mental Illness – novel) celebrates Independent Bookstore Day / California Bookstore Day  with other local authors at Laurel Book Store, Oakland, CA  http://WritingCoachTeresa.com  and http://www.laurelbookstore.com

Saturday June 6
Teresa LeYung-Ryan (Fanbase-Building Coach and “Immigrant Experience Writing Contest” sponsor) joins California Writers Club colleagues for Writing Contest Awards Ceremony and Writers Helping Writers Through Mentoring;

June 13, 2015  for Authors Day

June 6 and June 13, 2015  at Literary Stage, Fine Arts Galleria, San Mateo County Fair (Cheers to Bardi Rosman Koodrin, Boris Koodrin, Laurel Anne Hill, David Hirzel, Margie Yee Webb, Wini McCaffrey, et al)  http://WritingCoachTeresa.com http://cwc-peninsula.org/fair.html

In The Apartment (script by Billy Wilder and  I.A.L. Diamond ), the 2 protagonists are C.C. Baxter, an insurance clerk (whose apartment is much in demand by four executives for their extramarital activities) and Miss Kubelik, an elevator operator in the insurance company (who is described by Baxter as a “perfectly respectable girl”).

Then there’s Miss Olsen. She is secretary to Jeff Sheldrake who is head of Personnel. Miss Olsen appears in only a few scenes, yet, she personifies multiple archetypes—shape-shifter; herald, but also threshold guardian; antagonist, but also ally. Her character fascinates me. Baxter’s and Kubelik’s heroes’ journeys would not have begun if not for the action of this not-so-minor character.

For more information about the movie http://www.imdb.com/title/tt0053604/

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C.C. Baxter -  portrayed by Jack Lemmon

Miss Kubelik – Shirley MacLaine

Jeff Sheldrake – Fred MacMurray

Dr. Dreyfuss-  Jack Kruschen

Miss Olsen – Edie Adams

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May your major and not-so-minor characters be memorable!

I recommend your studying The Writer’s Journey: Mythic Structure for Writers by Christopher Vogler and The Plot Whisperer: Secrets of Story Structure Any Writer Can Master by Martha Alderson.

Happy writing and rewriting!

Editor / Manuscript Consultant / Coach Teresa LeYung-Ryan

http://writingcoachTeresa.com

Teresa is author of Build Your Writer’s Platform & Fanbase In 22 Days: Attract Agents, Editors, Publishers, Readers, and Media Attention NOW

Teresa is author of Love Made of Heart

Coach Teresa edits manuscripts (contemporary novels; thrillers; children’s novels; memoirs) for authors who want to attract agents  & publishers  OR  want to be their own publishers.

Motoko Rich’s article in The New York Times got me running to my bookshelves to look for my copy of The Portable Jung that was edited by Joseph Campbell. Jung’s text was translated by R.F.C. Hull.

On the same shelf is The Writer’s Journey by Christopher Vogler–this book (about archetypes and stages of the hero’s journey) is one of the secret tools in my Writer’s Tool Box.

When I edit a manuscript, I always look for ways to help my client identify the archetypes in his/her story.  Memorable characters make for a good read.

Rich says that The Red Book is considered the Holy Grail by many Jungians. Speaking of the Holy Grail, I saw Angela Berquist, Ph.D. and her husband Michael Betts at the California Writers Club party in San Mateo this month.  Angela is the author of The Grail Reclaimed: A New View of An Old Symbol.

Motoko Rich’s article in The New York Times “Dreamy Sales of Jung Book Stir Analysis”
Published: December 24, 2009

Excerpts from Motoko Rich's article "Dreamy Sales of Jung Book Stir Analysis" in The New York Times

Excerpts from the article:
As online and big-box retailers hustle to outdo themselves in discounts, “The Red Book” by Carl Jung, the Swiss psychiatrist and founder of analytical psychology, has surprised booksellers and its publisher, W. W. Norton & Company, by bucking the economy and becoming difficult, and in some cases impossible, to find in bookstores around the country.

“We were absolutely amazed,” said Elaine Petrocelli, an owner of Book Passage, an independent company with bookstores in San Francisco and suburban Corte Madera, Calif. “Here you have a $195 book in what’s supposed to be a bad time, and we have many, many orders for it. I think we have over 20 orders for it.”

The book is considered the Holy Grail by many Jungians, who for years had only heard rumors of its existence. For decades Jung’s descendants kept the original, leather-bound volume, which Jung worked on between 1912 and 1928, locked in a bank vault.

Full article on:  http://www.nytimes.com/2009/12/25/books/25jung.html?pagewanted=1&_r=1&ref=cm_dly_lnk