Coach Teresa LeYung-Ryan here . . . this is what happened from my point of view. Tell me and my colleagues your point of view by submitting comments to this blog post.  How? Click on the blue title bar of this post, scroll down to get the boxes, fill in boxes and click on “submit comment” button.

I took BART into The City and then MUNI #1 to meet co-presenter & colleague Mary E. Knippel.  At 6:00pm we were to deliver BE YOUR OWN EDITOR at the San Francisco Writers Conference at the Mark Hopkins Hotel at top of Nob Hill.

Authentic details for writers who want to get to the top of Nob Hill: If you off-board BART at Embarcadero station, come up to street level that is closest to Drumm Street. Walk northward on Drumm, then westward on Sacramento Street (a one-way street). At Sacramento St. (near Davis St.), you’d catch the MUNI #1 bus that travels westward on Sacramento Street. $2 fare (driver gives  y0u a transfer that’s good for 4 hours).

The ride is about 10 blocks or .7 mile (through Financial District and Chinatown, and up the hills).  If you’re concerned about not knowing how to push the bell or pull the cord to request your stop, ask the bus driver or fellow passengers to look out for you. Off-board at Mason; walk a block southward on Mason to get to California St. (California St. is parallel to Sacramento St.).  Wait for signals to cross the street.  There you are–at the International Mark Hopkins.

As soon as you step onto the bricked courtyard, courteous hotel employees will greet you.

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Linda Lee and Jane Glendinning among the first to arrive to help make SFWC THE writers conference

Story Consultant and Writers' Platform-Building Coach Teresa LeYung-Ryan happy to present at SFWC again

presenters Mary E Knippel & Linda Lee solve mystery over their luggage at Mark Hopkins

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I saw Laurie McLean, Barbara Santos & Richard Santos, Nina Amir, Neal Sofman, dear mentors Michael Larsen & Elizabeth Pomada, Stephanie Chandler and other colleagues.  Our session was to begin at 6:00pm.  Among the writers who attended our session “Be Your Own Editor” were memoirist Jing Li,  journalist and novelist Don Hudson and Margie Yee Webb (author of Cat Mulan’s Mindful Musings)!

Thank you, Patrick, for setting up the microphone–the room was long–without the microphone, the writers sitting in the back would have had difficulty hearing us.

Thank you to each writer in the room!  Here’s an offer to you if you were in our session on Feb. 16, 2012 –  I’ll be happy to read and give feedback to the first 2 pages (double spaced; pages numbered; manuscript title and your full name in the header) of your manuscript.  Email me: your full name; your project’s genre; list of your themes.  Then I’ll let you know when would be the best time to email me your first 2 pages. I’ll arrange my schedule so that I can focus on one writer a day.  My email address is at gmail.com  My User Name is:  WritingCoachTeresa

Session hand-out for Mary E. Knippel & Teresa LeYung-Ryan’s presentation BE YOUR OWN EDITOR

Mary E. Knippel & Teresa LeYung-Ryan
Being Your Own Editor
Ensure Your Manuscript 100% Ready For the Next Step
•    hire a book doctor/developmental editor OR
•     pitch to agents or acquisition editors OR
•     be  your own publisher

fiction / narrative nonfiction / prescriptive nonfiction (“how-to” books)

YOUR NAME: ______________________________ Your Project: ________________________________

Tool #1   Grounding Reader with the three Ws (Who? When? Where?)
Tool #2   Hooking Reader from first page to last with core theme and “What does Protagonist want?” (in prescriptive nonfiction “What does Reader need?”)
Tool #3     In Fiction & Narrative Nonfiction (both genres are forms of  “story-telling”) Who are your protagonist, antagonist, and other archetypes?
Tool #4    In Fiction & Narrative Nonfiction (front story / back story)
Tool #5    Foreshadows  Metaphors   Recurring Images
Tool #6    Authentic Details
Tool #7   Monologue   Dialogue   Vernacular
Tool #8   Misspelled words; misplaced modifiers; other frights

and 15 minutes for Questions & Answers

Thank you, dear mentors Michael Larsen & Elizabeth Pomada, for inviting Mary and me to deliver our signature presentation “Be Your Own Editor”!

Thank you, dear Birgit Soyka author of To Drink the Wild Air, for bringing your camera tripod!

Thank you, dear Margie Yee Webb, author of Cat Mulan’s Mindful Musings: Insight and Inspiration for a Wonderful Life, for introducing Mary and me, for taking photos, for having written the purr-fect gift book and letting me show in our session how every page of a prescriptive nonfiction book ought to contain inspiration, wisdom or a metaphor.

Thank you, Camille Thompson, columnist at SanRamonPatch.com, for your gracious help, making our session an enjoyable one.

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authors & story consultants Mary E. Knippel & Teresa LeYung-Ryan use classics to draw examples for BE YOUR OWN EDITOR at SFWC--photo by author Margie Yee Webb

authors & story consultants Mary E. Knippel & Teresa LeYung-Ryan give 8 tools at BE YOUR OWN EDITOR packed house session SFWC–photo by author Margie Yee Webb

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authors & story consultants Mary E Knippel & Teresa LeYung-Ryan attract writers at BE YOUR OWN EDITOR packed house session SFWC-photo by author Margie Yee Webb

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testimonials from Mary E Knippel & Teresa LeYung-Ryan's BE YOUR OWN EDITOR session

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Coach Teresa LeYung-Ryan says: "Wearing your 2 hats as a writer---to polish your manuscript and to build your platform---can be as fun as riding a San Francisco cable car."

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Across the street at the Fairmont Hotel –  LEARNING & the BRAIN Conference–Connecting Educators to Neuroscientists and Researchers

Vehicular traffic was blocked off in the area because President Obama was to speak at the Masonic Auditorium that evening!

Coach Teresa here took the cable car to go home and pack for Day II of San Francisco Writers Conference.  Please see next post.

Sincerely

Coach Teresa LeYung-Ryan

“Reach out, not stress out, to materialize your dearest dreams!”

http://writingcoachteresa.com
author of Build Your Writer’s Platform & Fanbase In 22 Days: Attract Agents, Editors, Publishers, Readers, and Media Attention NOW

As editor/story consultant, Coach Teresa helps her clients polish their manuscripts by identifying themes and archetypes.

Her novel Love Made of Heart is used in college composition classes. Thank you, Teachers & Students!

Thanks to Teresa’s book I learned to contact a star. The famous Carol Channing wrote a review for my latest book YOU and THE ARTS–Why Art Matters. Teresa’s book is a wonderful help in learing how to get good publicity.

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This book taught me a lot. It’s packed with information, and the presentations and exercises build upon what came before. It’s direct and clear and has plenty of instructive examples that plainly show the way, and how to get there. It’s like having your very own writing career coach with you at every step. This extremely helpful workbook has given me great preparation for building a platform. I enthusiastically recommend it.

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This book is written as a set of specific tasks. And I think that is what is so great about it. The author doesn’t spend 200 pages waffling and trying to convince you of something you’re already dying to do, but just don’t know how to execute. All you have to do is follow the directions. No analyzing too many options, no trying to out-think the huge behemoth that is publishing industry. It’s like having a friend take you by the hand, set you down on the right path, and then walk right along side you. The added benefit is that on the way, you’ll find out some pretty interesting things about yourself and what your platform (so essential these days for getting published) is really all about.

For me, having clear cut steps and directions is invaluable when it comes figuring out what I really want to communicate to potential readers and how to get my platform established.

I know. I’m a writer, newly finished my first work (okay, here I’m going to plug it) “Over the Edge,” a fictionalized memoir, told in nine episodes, which tells what it’s really like to live, run, and be a part of the street life.

Kudos and Thanks, Teresa

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Much has been written in the past year or two about the importance to writers of having a “platform.” Writers without a platform, we are told, find it difficult if not impossible to be taken seriously by agents and publishers. This ambitious book takes a new approach to building a platform. Instead of the usual pep talks, it consists of a series of exercises–22 minutes for 22 days– to build the reader’s self-knowledge and skill. The exercises are often thought-provoking, and always fun. For all writers who find themselves “stuck” when it comes to building a platform, this is a most worthwhile tool.
Margaret Davis, author of Straight Down the Middle

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Although I had already published my novel, “Husbands May Come and Go but Friends are Forever,” and set up my website when I purchased this playbook, I found lots of information and tips I hadn’t known. I especially liked the exercises which helped me identify where to spend my time and energy. A great road map to building your writer platform.

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Ms. Ryan gives us a huge building block toward getting our gems into print. I tried her original draft of this book, doing the exercises, and being amazed how much i could put into a platform. Now she has expanded this workbook richly. She is a whiz in the ways a writer can get noticed.
in all the confusing technology around these days, this book takes a novice carefully through the process to this end.

It is quite a bargain at $22.

Lynn Scott, Memorist,  A Joyous Encounter: My Mother, My Alzheimer Clients, and Me

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Is There a Book to Help Writers Build Platform and Fanbase?

Build Your Writer’s Platform & Fanbase In 22 Days: Attract Agents, Editors, Publishers, Readers, and Media Attention NOW available through Amazon

Sincerely,

22-Day Coach Teresa LeYung Ryan
http://writingcoachteresa.com