at California Writers Club, Santa Rosa, California

Katherine Ellison--from investigative reporting to memoir

December 11, 2011 will be Katherine Ellison:
“From the global to the personal: one writer’s journey from investigative reporting to memoir.”

Journalist Katherine Ellison will talk about her career as an investigative journalist covering international events as Central American wars and figures such as Ferdinand and Imelda Marcos to shifting gears and writing nonfiction books including a memoir about her son’s ADHD.

Katherine Ellison is a Pulitzer-Prize winning investigative journalist, former foreign correspondent, writing consultant, author of four books, and mother of two sons.

http://redwoodwriters.org/

Coach Teresa LeYung-Ryan helps fiction & nonfiction authors "Writing-Career MakeOver"--photo by MKWL

January 8, 2012 “Writing Career Make Over with Coach Teresa LeYung Ryan”

Learn how to:

• reveal  your  “picture-of-success” to create your model
• understand your unique motivators & modus operandi
• blend the “who, what, when, where”  your way, fun way

Coach Teresa will choose 3 writers from the audience—representing the 3 umbrella genres (fiction, narrative non-fiction, and prescriptive non-fiction a.k.a. how-to books)—and guide them in this interactive session. Everyone will receive Coach Teresa’s “Writing-Career-Make-Over” template.  Q&A to please all.

Coach Teresa LeYung-Ryan wears 3 hats and has helped over 1,000 writers take steps to further their careers.  http://writingcoachTeresa.com

• She’s the author of Build Your Writer’s Platform & Fanbase In 22 Days: Attract Agents, Editors, Publishers, Readers, and Media Attention NOW (a workbook for anyone who has anything to promote—available in print edition and as E-book).

• Coach Teresa edits manuscripts for authors who want to attract agents  & publishers  OR  want to be their own publishers.

• Her using her novel Love Made of Heart (to inspire adult children of mentally ill parents to speak openly about the stigmas and find resources for their families) demonstrates the power of making one’s name synonymous with the themes/subject matters/issues one writes about.

http://redwoodwriters.org/meetings/

I just submitted my application to become a contributing writer from Examiner.com (thank you, Yolande Barial, for the referral!  Read Yolande’s blog and article on Examiner.com).

Please use my blog to promote yourselves because Writing Career Coach Teresa’s Blog is getting over 17,000 viewers.  Tell my fans about your writing projects — by submitting a comment to this post. To do that, click on the blue title bar of this post, fill in the boxes, then press the [ submit comment ] button.  Need advice on writing and publishing?  Ask me–Coach Teresa.  Keep your questions short and sweet please.

•        Whether you want to be your own publisher or sell rights to another publisher, attract readers/fans now!

•        Whether you write fiction, narrative non-fiction or prescriptive non-fiction, you are THE expert of your experiences and an authority in your field.   Make your name synonymous with the themes/issues/subject matters in your book.

•        When you stick to a program, you develop new habits.  Let Coach Teresa show you how to gain a competitive edge.

•        “A platform is not what I stand on, but what I stand for.”

•        “Build your platform–22 minutes for 22 days.  Your writing career is worth the time.”

•        “Reach out, not stress out.  Help your fans find you!”

Sincerely,

Writing Career Coach Teresa LeYung-Ryan

http://writingcoachteresa.com

Build Your Writer’s Platform & Fanbase In 22 Days: Attract Agents, Editors, Publishers, Readers, and Media Attention NOW (the fun workbook that helps fiction and nonfiction authors gain a competitive edge before and after publication). See reviews on Amazon.

How important is dialogue in a memoir or novel? Re-read your favorite story and study the author’s techniques.

When I’m not editing for my wonderful clients, I study dialogue in movies.
Since a script usually doesn’t offer narrative or internal monologue to supplement “words” the way a book does, dialogue (and how the lines are delivered) is an essential component in story-telling.  I love smart dialogue.

In the movie Woman Chases Man (1937), protagonist Virginia Travis, a starving architect (Miriam Hopkins) sees three portraits in the living room of B.J. Nolan (Charles Winninger).

Virginia:  (She sees a portrait of a little boy holding  Pilgram’s Progress)  “Who’s that?”

BJ:  “My son Kenneth.”

Virginia:  (She’s looking at the second portrait–a teenage boy holding the same book) “ Another son?”

BJ:  “Same one. Age sixteen.”

Virginia:  “Must be a slow reader.”

Virginia:   (She looks at third portrait–a young man in his cap and gown, holding diploma)  “I see he finished the book.”

BJ:  “Yeah, he has the checkbook now.”

Virginia:  “I had a checkbook once.”

The story is launched, with B. J. and Virginia scheming to get  Kenneth (Joel McCrae) to sign a check.  By the way, young Broderick Crawford’s portrayal of Hunk (friend of Virginia, disguising as B.J.’s butler) is hilarious.

Screen play by Joseph Anthony, Mannie Seff and David Hertz

Original story by Lynn Root and Frank Fenton

* * * * * * * * * * * * * * * * * *

In Cold Comfort Farm (1995) screenplay by Malcolm Bradbury, from the novel by Stella Gibbons (1930s), protagonist Flora Poste (recently orphaned) moves to the country to live with her relatives so that she can live on her modest 100 pounds a year and be a novelist.  Flora’s relations are odd in deed.  The mysterious matriarch, Flora’s Great Aunt Ada, doesn’t leave her room because she suffers from a terrifying memory of an event. As a girl, Ada had seen “something nasty in the wood shed” and now decades later she still has recurring nightmares.  Flora is the first person to ask Aunt Ada questions, which serves as the turning point in the story.  As it turns out, Aunt Ada doesn’t remember what she saw. But she won’t let go of her suffering (or let her family leave the farm either).

Toward the end of the story when a movie Czar Mr. Neck comes to the farm to take her grandson Seth to Hollywood . . . Great Aunt Ada comes running out of the house . . .
Great Aunt Ada : “I saw something nasty in the wood shed.”

Mr. Neck:  “Sure you did, but did they see you Baby?”

Coach Teresa here.  I emailed my friend Margaret Davis (author of Straight Down the Middle) to ask her if she has seen the movie and Margaret replied:
“My mother had a selection of novels in our house when I was growing up.  I was an avid reader, and I read, and reread, many of them over and over.  I knew Cold Comfort Farm by heart!  I also enjoyed Stella Gibbons’s book Nightingale Wood (also knew it by heart as a child!), and I know my own writing is definitely influenced by her.”

Happy New Year & New Writing Energy to Everyone!

Remember to employ dialogue that not only represents each character’s personality but also gives clues  in an entertaining way to move your story forward.

Sincerely,

Teresa LeYung Ryan

Manuscript Consultant / Writing Career Coach / Author / Publisher

http://WritingCoachTeresa.com

One of my favorite stories is E. B. White’s Charlotte’s Web.  This timeless tale has wonderful hooks, memorable characters, universal themes and a compelling yet simple plotline.   Writers, I recommend your dissecting this book and your favorite books if you want to understand story structure for fiction or narrative non-fiction.

Cheers!

May your writing projects take on new form and new vitality in the new year!

Sincerely,

Writing Coach/Manuscript Consultant Teresa LeYung Ryan

author of Love Made of Heart (recommended by the California School Library Association and the California Reading Association)

http://writingcoachteresa.com

Ask me, Writing Coach Teresa, to edit 22 pages at a time.
Gain tools from my coaching with each installment of your manuscript. Affordable too.

Learn how to use  archetypes, themes/universal messages, metaphors, hooks, foreshadows, pivotal plot points, seamless transitions, and poignancy to make your story a page-turner.
I like to edit fiction and narrative non-fiction with strong and quirky protagonists, memoirs, young adult fiction, and short stories.

Visit http://WritingCoachTeresa.com home page to find out what it means when an agent or editor tells a writer that his/her story is episodic.

Writing Coach & Manuscript Consultant Teresa LeYung Ryan who helps writers 22 pages at a time.

California Writers’ Club–SF Peninsula Branch Presents
“Build Your Name While You Write”
with Writing-Career Coach Teresa LeYung Ryan

January 16, 2010, 10am to noon
Belmont Library, 1110 Alameda De Las Pulgas, Belmont, CA
Cost: $15  CWC members;  $18 non-members

Reservations are advised:
Call 650-615-8331 to leave a message or email Chris Wachlin at <reservations@sfpeninsulawriters.com> with your name and the meeting date.

More info & PayPal available on:  http://cwc-peninsula.org

Can you relate to any one of these statements?

* Agents and acquisition editors say publishers prefer to work with authors who are already celebrities or have established platforms (i.e. means to build fan base).  How do I compete?

* I am published. There aren’t enough hours in a day to write, let alone run around and network.

* I believe in my writing and I’m committed to building my career, but, my budget is limited.

Optional exercises before January 16:  http://cwc-peninsula.org/

On January 16, 2010 Teresa will debut her guide Build Your Name, Beat the Game: Be Happily Published

Teresa LeYung Ryan’s bio:  http://WritingCoachTeresa.com