Posts Tagged ‘memoirs’
Is There a Writing Contest for Novels, Memoirs, Short Stories that Invites the Theme of the Immigrant Experience?
YES!
http://www.sanmateocountyfair.com/competitive-exhibits/departments/literary-arts After you go to above link, look at left side of the webpage and click on [ Entry Book Pages ] for general rules.
The Literary Arts Department at the San Mateo County Fair offering contests in these categories:
http://www.sanmateocountyfair.com/pdf/guide_book/creative_arts.pdf for the list of writing contests & descriptions (scroll to pages 64 - 70)
DIVISION 342 – THE IMMIGRANT EXPERIENCE: NOVEL, MEMOIR, OR SHORT STORY
Sponsored by Teresa LeYung Ryan, author of Love Made of Heart http://lovemadeofheart.com
DIVISION 335 – “HEROES ARISE” SCIENCE FICTION/FANTASY NOVEL CHAPTER
Sponsored by Laurel Anne Hill, author of Heroes Arise www.laurelannehill.com
DIVISION 336 – SAN FRANCISCO/PENINSULA CALIFORNIA WRITERS CLUB:
THE MOST PROMISING WRITER OF THE YEAR SHORT STORY CONTEST
DIVISION 337 – THE VERNA DREISBACH “WHY WE RIDE” NONFICTION
Sponsored by Verna Dreisbach www.vernadreisbach.com
DIVISION 338 – THE NATIONAL ASSOCIATION OF MEMOIR WRITERS: THE POWER OF MEMOIR www.namw.org
DIVISION 341– “I’M DYING TO TELL YOU” MYSTERY NOVEL CHAPTER
Sponsored by Frank M. Kahren, author of ?Brand Loyalty? www.fmkahren.com
DIVISION 324 – CHILDREN’S NOVEL CHAPTER OR STORY CONTEST
Sponsored by Parenting on the Peninsula www.ponthep.com
DIVISION 323 – THE GRAPHIC NOVEL
Sponsored by the Peninsula Arts Council www.peninsulaartscouncil.org
The Capitol City Young Writers Award
Youth Grades 6-12 Sponsored by Verna Dreisbach, President and Founder www.capitolcityyoungwriters.org
Also, there are contests for essays, poetry, and more !
LITERARY ARTS GENERAL RULES
PLEASE NOTE: Deadline for all literary contests (including the NDNU scholarship) is 7:00 pm, Friday, April 29, 2011. Registration to compete can be done online, but no literary entries via email will be accepted without three (3) copies of your written material as well, which can be mailed (must be postmarked by April 25th, 2011) or delivered to the office by the deadline noted above.
GENERAL RULES:
1. FORMAT: THREE (3) copies of your entry on 8-1/2″ x 11″ white paper with each page numbered and TYPED, double spaced. Font point size may not be smaller than 12 pt. Do not submit the original. For judging purposes, author’s name SHALL NOT appear on literary work. For each piece, include a 3″ x 5″ card with the Author’s name, address, city, zip, home phone, day phone, email address, title, first sentence or line, word count, division, and class. Literary arts entries must be contestant’s original work and written in English. DO NOT RESUBMIT ANY LITERARY WORK PREVIOUSLY ENTERED INTO THE SAN MATEO COUNTY FAIR WHETHER IT WON A PRIZE OR NOT.
2. NEW: Submissions can be made electronically as long as three (3) copies are also printed and mailed in time.
3. JUDGING: Literary arts will be judged off site. Literary arts entries must have correct spelling, grammar, and punctuation in order for each entry to be judged on its own merit.
4. RELEASE: Author retains all rights; however, the author agrees that all literary arts entries may be displayed; along with each division first prize winner’s name, title, and an excerpt of said winning work, and any/all may be used for publicity purposes at the sole discretion of the Fair management.
5. RETURN: In keeping with current writing competition standards, no literary arts entries will be returned; for confidentiality, all printed material will be recycled.
6. PRIZE RIBBONS: Ribbons may not be collected during the fair; they will be distributed after the end of the fair.
7. AGE: Age for senior citizen class (55 and older) is determined by having had a birthday on or before
April 1, 2011.
Even if work is electronically submitted, three (3) printed copies of each entry must also be mailed to:
San Mateo County Event Center/Literary contest submission
2495 S. Delaware Street
San Mateo, CA 94403
(650) 574-3247
Thank you, Bardi Rosman Koodrin, my fellow contest sponsors, and everyone involved in making these contests availa
ble.
I was a recipient of an award from the Jack London Writers Conference Writing Contest (category: novel) in 1997. Mentioning of that award attracted agents’ attention when I queried them. I encourage writers to enter their work to reputable contests; I encourage writers to check out supportive organizations such as California Writers Club!
My best wishes to writers,
Teresa LeYung Ryan, author of Love Made of Heart, cheers for brave immigrants.
22-Day Coach Teresa
Build Your Writer’s Platform & Fanbase In 22 Days: Attract Agents, Editors, Publishers, Readers, and Media Attention NOW is available through Amazon. Read success stories (on Amazon) from writers who have finished the 22-day workbook I created to help fiction and nonfiction authors gain a competitive edge. Whether you want to be your own publisher or sell rights to another publisher, attract readers and more readers now! http://writingcoachteresa.com
http://lovemadeofheart.com/blog/is-there-a-book-to-help-a-writer-build-platform-and-fanbase/ 
What’s Happening February 17 – 21, 2011 For Writers and Readers?
Thursday, Feb. 17th, 2011, 6 to 9 pm- $149
Presented by Literary Agent Katharine Sands, author of Making the Perfect Pitch. Learn how to effectively pitch your project to the agents and editors at the SFWC…or anywhere! http://www.sfwriters.org/pages.cfm?ID=206
Friday February 18, 2011 While Talking Tagline Mentor Elisa Southard author of Break Through the Noise, 9 Tools to Propel Your Marketing Message & I (Writing Career Coach Teresa LeYung Ryan author of Build Your Writer’s Platform & Fanbase In 22 Days: Attract Agents, Editors, Publishers, Readers, and Media Attention NOW) will be presenting “Get a Grip: Be Your Own Best Promoter” at the exciting San Francisco Writers Conference . . .
February 18, 2011, 11:00am PST / noon Mountain Time Author Judith Marshall (Judith & I were in a critique group with Lynn Scott and Marcia Naomi Berger!) will be interviewed on BlogTalkRadio show Page Readers. If you miss the live broadcast on Feb. 18th, you can listen to Judith Marshall (she’s delightful!) when the show is archived. Go, Girlfriend Judith!!!
Judith Marshall is a third generation native Californian, born in St. Helena and raised in Concord. After leaving a successful career as a human resources executive, her lifelong dream of writing fiction was realized with the completion of Husbands May Come and Go But Friends Are Forever, winner of the Jack London Prize awarded by the California Writers Club and recently optioned for the big screen. She is an active member of the California Writers Club and a regular participant in writing classes and workshops. She continues to hone her craft and is currently working on her second novel, Staying Afloat, the story of a devoted stay-at-home wife and mother who morphs into a sex-starved adulteress. She lives in Northern California with her husband. For more information, go to www.judithmarshall.net
MONDAY, February 21, 2011 FULL-DAY AND HALF-DAY WRITING INTENSIVES
Sponsored by San Francisco Writers University and the San Francisco Writers Conference http://www.sfwriters.org/pages.cfm?ID=206
These classes will be held at the Mark Hopkins InterContinental Hotel on Nob Hill in San Francisco.
Each of these intensive workshops takes one subject and breaks it down
into parts to give attendees a deep understanding of the topic. Each
workshop is taught by an expert on the subject who is also a good
teacher.
Full Day Classes (9 am to noon, break for no-host lunch, 2 -5 pm) — $297 for either class
1. Social Media for Authors with social media gurus Tee Morris and Linda Lee
By the end of this nuts and bolts workshop, authors will know how to effectively use Twitter, Facebook, YouTube and Linked-In, how to create a website and blog and how to podcast your writing. And you’ll also know how to select which of these tools is right for you. A must have for writers in today’s online world.
2. Self-Publishing Boot Camp with Carla King, Alan Rinzler, Joel Friedlander, Mark Coker, Tammy Nam, Alexis Masters, Karen Leland and many more
Listen up, soldiers! Today is the best time ever to be a writer. With eBooks and self-publishing options never before available to get your book in front of a reading audience, you need to understand the whys, whats and hows of self-publishing. Taught by the creator of the Self-Publishing Bootcamp and a whole host of experts in every aspect of self-publishing. Go to Carla King’s Self-Publishing Boot Camp web site.
Morning Half-Day Classes (9 am to noon) –$149 for each class
1. Micro-Tension: The Secret of the Best Sellers with Superstar Literary Agent Donald Maass
This workshop has been given to rave reviews throughout North America by the man who wrote the book (and workbook) on writing the novel that will break you out of the pack. In the course of two decades Mr. Maass has arrived at a number of definite and highly perceptive conclusions on just what the differences are between an ordinary, pedestrian but enjoyable novel and an ostensibly similar work that catapults the book and its author into an entirely new plane of literary success.
2. Writing Fantasy, Science Fiction and Horror
With best selling author Katharine Kerr, editor/assoc. publisher Gabrielle Harbowy and rising star fantasy author Philippa Ballantine
3. Writing Romance and Women’s Fiction
With literary agent Christine Witthohn and romance author Elizabeth Jennings
4. Writing Mysteries, Suspense and Thrillers
With NYT best-selling mystery and thriller authors Bob Dugoni and Sheldon Siegel
Afternoon Half-Day Classes (2 pm to 5 pm)–$149 each
1. How to Write a Book Proposal (non-fiction)
With the man who wrote How to Write a Book Proposal. literary agent Michael Larsen and Consulting Editor Alan Rinzler
2. Making Your Memoir Bigger Than The Story of Your Life
With writing teacher and memoirist Adair Lara, author of Naked, Drunk and Writing: Shed Your Inhibitions and Craft a Compelling Memoir or Personal Essay
3. How To Make Money in the Hot Young Adult Market
With author Doug Rees and Annette Pollert from Simon and Schuster
The reason why I love editing thrillers and mysteries is that I enjoy helping authors keep track of the hooks, foreshadowing, the “crime thread” and the thematic plotline. Also, I like general fiction, memoirs, children’s and young adult fiction–especially when the protagonist is quirky and feisty.
Study Martha Alderson’s resources for plot: http://plotwhisperer.blogspot.com and http://www.blockbusterplots.com and http://www.youtube.com/user/marthaalderson
After you have completed the first draft of your book and have gained a handle on plot, please contact me if you’re shopping for a manuscript consultant/editor who can help you take your project to the next phrase. Here’s a testimonial from a client who is writing a most exciting thriller:
“I was an attendee at the CWC-BB and have been working since then with Teresa LeYung Ryan on my novel, The Sacred Heart. Teresa is so committed to her clients and does a remarkable job of coaching and encouraging while wielding an insightful red pen.
Tom Wolfe spoke last week in Charlotte for the public library there and I briefly interviewed him afterwards for The Writer magazine ….He said the basis for his writing continually came back to great reporting and that the key for any writer is getting out of the building and observing people – particularly being on the scene when something happens.
Thanks Teresa, for pushing my reporting skills.”
Don Hudson
* * * *
Are there editors/book doctors who specialize in thrillers & mysteries? Yes. You’ve found one of them.
Happy Holidays & Happy New Year, Writers!
May your writing projects take on new form and new vitality!
Sincerely,
Writing Coach/Manuscript Consultant Teresa LeYung Ryan
author of Love Made of Heart (recommended by the California School Library Association and the California Reading Association)
After you read the article, please check out these organizations
Bay Area Independent Publishers Association (BAIPA) http://www.baipa.org/
Northern California Publishers & Authors (NCPA) http://www.norcalpa.org/
California Writers Club 18 branches in California http://calwriters.org/
Women’s National Book Association http://www.wnba-books.org/
ZEN AND THE ART OF THE BOOK DEAL
Publishing Panel: Sunday, Sept. 12, 2010 • 2-5 p.m.
San Francisco Main Public Library
Details: http://wnba-sfchapter.org/
Self-publishing gets easier with online tools
apierleoni@sacbee.com
You, too, can be an author.
In print and online, self-published authors have never had so many choices of where and how to place their memoirs, novels, cookbooks, essays and poetry.
Among those there to help them is Bob Young, co-founder of the giant online publishing company Lulu. Young says “the new publishing model” will not be dependent on best-sellers – the lifeblood of traditional publishing – but on niche publications.
“Our most successful authors generally fit into specialized knowledge-based categories,” said Lulu spokesman Jonathan Cox. “They write about business, economics, computers, the Internet, art.”
Among the major players accommodating aspiring writers – in a few cases, established authors as well, such as John Edgar Wideman (“Briefs”) – are Amazon (CreateSpace and Digital Text Platform), Author Solutions (parent company of AuthorHouse, Xlibris and iUniverse), Barnes & Noble (PubIt!), Apple (iBookstore), Lulu, Smashwords, Scribd and Fastpencil.
Profits from sales are split between publisher and author, with publishers getting 20 percent to 30 percent and writers getting 70 percent to 80 percent.
Self-published authors can choose to have their finished products as e-books downloadable to a variety of e-readers (including Amazon’s Kindle and Apple’s iPad), other mobile devices and PCs, or in traditional book form, or both.
They’re doing so in viral numbers. Last year, 764,448 self-published titles appeared – an increase of 181 percent from 2008. That compares with 289,729 titles from traditional publishing houses, according to the R.R. Bowker Co., which compiles bibliographic data.
Ideal for untested writers; not great for literary stars
E-books account for an estimated 5 percent to 10 percent of all U.S. book sales, according to book industry consultants, but within five years they could account for up to 25 percent.
On Friday, Dorchester Publishing announced that it will abandon its traditional print publishing business in favor of “an e-book/print-on-demand model.”
The decision came after sales of its mass-market paperbacks, its specialty, fell by 25 percent last year and have been even worse in 2010.
Jim Milliot, co-editorial director of Publishers Weekly, said the self-publishing movement “isn’t making any of the big publishers nervous, but they’re certainly watching it.”
“If they have a fear, it’s that one of their large-name authors will go out on his or her own,” Milliot said. “But what keeps the big authors tied to their houses is big advances. You’re not going to see a John Grisham go running to Smashwords.”
As e-readers, e-books and e-bookstores become more ingrained in our culture, the digital self-publishing model gets the most buzz.
Usually, the digital model works in conjunction with print on demand, in which a paper book isn’t physically printed until it’s been presold. That’s a double whammy for an author – an e-book and a paper version of the same title.
Start typing
How does a writer turn an electronic manuscript into an e-book? The process is simple.At www.barnesandnoble/pubit, for instance, the directions for the digital self-publishing template advise: “Set up your account (with us), then start loading files and cover art for … your e-books. PubIt! converts digital files to ePub format, the most widely accepted format for e-reader and mobile devices. … Now millions of readers can buy your e-books” through online bookstores.
Kenneth Umbach of Citrus Heights uses Lulu as a publishing platform for paper and digital books.
Through his Umbach Consulting and Publishing, he has produced his own titles (a collection of columns from the weekly newspaper Senior Spectrum, and a how-to-publish handbook) and those of others. Sales have been “modest,” he said.
Probably his company’s biggest seller was “Capitol Crimes,” a collection of mystery stories by members of the Sacramento chapter of Sisters in Crime, published partly as a fundraiser.
Umbach advises aspiring self-publishers to be aware of add-on services for sale by tech publishers, from editing to promotional packages.
“Hire someone with expertise in laying out your book, and have a set of competent eyes editing it,” he said.
Publishing is just one step
One of the conceits of self-publishing is that it democratizes the process, allowing anyone to put a book in the marketplace and name his or her price. There is no longer the need for an agent, an editor or a monolithic publishing house.The nature of success changes, too.
“For successful authors, writing the book is the beginning,” said Cox of Lulu. “They maintain blogs, speak at conferences, stay active in online forums that potential readers are likely to visit.”
“Success is different for every author,” he added. “Some just want to share an idea with the world, so they give away their books or sell them at cost. Others want to build a personal brand. Many want to make money.”
Lulu has paid “millions of dollars in royalties to our authors,” Cox said. “Some earn a couple of dollars over the lifetime of their books. Others earn thousands of dollars every year. We have one author who has earned more than $196,000″ from a technical book.
“The market is broad and diverse,” said Amazon spokeswoman Sarah Gelman. “We think that our Digital Text Platform makes it possible for authors and publishers to offer more titles, at better prices, to Kindle customers. We also think this will allow more authors to make a living at their craft.”
Milliot of Publishers Weekly cautions: “For a new author with no established audience, the chances of succeeding are not very high.”
Some find fame
But there are success stories.Unable to break into traditional publishing, Boyd Morrison placed “The Ark” on Amazon’s Kindle bookstore. Sales were so great that Simon & Schuster – one of the publishers that had rejected the thriller – bought it and printed it in hardback.
Frustrated by publishers who turned down her novel “A Scattered Life,” Karen McQuestion published it online. The e-book sold nearly 40,000 copies and now McQuestion has a movie option.
J.A. Konrath says he’ll make $100,000 this year from Kindle sales of his thriller “Whiskey Sour.” That despite book critics calling the title “formulaic” and “cliché-ridden.”
Which brings up the issue of quality. If anybody can publish anything, how good will most of it be?
“In the ‘old days,’ after 30 rejection letters, you’d stick the manuscript in a drawer,” said Milliot. “Today you send it to (an online publisher). By far the lion’s share of self-published material – both print or digital – would never be published (in a traditional way) because, frankly, it’s not professional grade. That said, there is some good stuff out there.”
Laura Miller, co-founder of the online magazine Salon.com, took self- publishing to task from the perspective of a former book editor who worked in the mainstream New York publishing industry.
In a brutal yet telling essay for Salon.com, she wrote in part, “Civilians … can talk as much trash as they want about the supposedly low standards of traditional publishing. They haven’t seen the vast majority of what didn’t get published. Believe me, if you have, it’s enough to make your blood run cold, thinking about (it) being introduced into the general population.”
© Copyright The Sacramento Bee. All rights reserved.
Call The Bee’s Allen Pierleoni, (916) 321-1128
http://www.sacbee.com/2010/08/09/2945533/self-publishing-gets-easier-with.html
I visited my dear pal Martha Alderson’s most helpful blog for plot http://plotwhisperer.blogspot.com/ 
Hi, Martha,
Your plot coaching is priceless. I like your analogy “Do like Hollywood movie directors and cup your hands around one eye like a telescope. Write about that one moment in your story.”
As a manuscript consultant, I get to read stories that carry profound themes and I know my clients have spent years working on their projects.
A mistake I often come across is not enough “showing…with sensory details” and too much “summarizing” or “editorializing.” That’s when I’ll ask my client “Have you looked at Martha’s blog or book?”
I guest-blogged on Nina Amir’s about how to make one’s manuscript compelling http://writenonfictioninnovember.wordpress.com/2008/11/16/how-to-make-your-manuscript-compelling/
In that post, I referenced The Woman Warrior, Woven of Water, The Other Mother, Angela’s Ashes–all four memoirs have smooth plotlines with what you’d call “Cause and Effect” linked scenes.
I see your new post:
http://plotwhisperer.blogspot.com/2009/10/when-scene-just-wont-do.html
Happy New Year, Int’l Plot Consultant Martha! Thank you for doing your magic!
Sincerely,
Teresa LeYung Ryan
Writing-Career Coach/”22 Pages Manuscript Consultant”
New Year’s approaching, new year to give your writing project a new look.
Ask me, Writing Coach Teresa, to edit 22 pages at a time.
Gain tools from my coaching with each installment of your manuscript. Affordable too.
Learn how to use archetypes, themes/universal messages, metaphors, hooks, foreshadows, pivotal plot points, seamless transitions, and poignancy to make your story a page-turner.
I like to edit fiction and narrative non-fiction with strong and quirky protagonists, memoirs, young adult fiction, and short stories.
Visit http://WritingCoachTeresa.com home page to find out what it means when an agent or editor tells a writer that his/her story is episodic.
California Writers’ Club–SF Peninsula Branch Presents
“Build Your Name While You Write”
with Writing-Career Coach Teresa LeYung Ryan
January 16, 2010, 10am to noon
Belmont Library, 1110 Alameda De Las Pulgas, Belmont, CA
Cost: $15 CWC members; $18 non-members
Reservations are advised:
Call 650-615-8331 to leave a message or email Chris Wachlin at <reservations@sfpeninsulawriters.com> with your name and the meeting date.
More info & PayPal available on: http://cwc-peninsula.org
Can you relate to any one of these statements?
* Agents and acquisition editors say publishers prefer to work with authors who are already celebrities or have established platforms (i.e. means to build fan base). How do I compete?
* I am published. There aren’t enough hours in a day to write, let alone run around and network.
* I believe in my writing and I’m committed to building my career, but, my budget is limited.
Optional exercises before January 16: http://cwc-peninsula.org/
On January 16, 2010 Teresa will debut her guide Build Your Name, Beat the Game: Be Happily Published
Teresa LeYung Ryan’s bio: http://WritingCoachTeresa.com

