Archive for the ‘American movies made in 1920s 1930s 1940s 1950s’ Category

May 2, 2012   Best  News!  Nayati is HOME!

 http://www.mkis.edu.my/  has updates

http://www.youtube.com/watch?v=T0DOd47zFTQ&feature=related

http://www.youtube.com/watch?v=TlEi7rrVtaw

http://www.nst.com.my/top-news/gutsy-nayati-insists-on-walking-home-1.80924

http://thestar.com.my/news/story.asp?file=/2012/5/4/nation/11230701&sec=nation

http://www.themalaysianinsider.com/malaysia/article/nayati-those-kidnappers-cant-beat-me

http://thestar.com.my/news/story.asp?file=/2012/5/5/nation/11238032&sec=nation

Everyone,

Could you please please use your social media networks to help 12-year-old ( 7th grade) boy Nayati Shamelin Moodliar who was abducted April 27, 2012.

Even if you don’t know anyone in Asia . . . your friends may; your friends’ friends may.  Please Circulate NAYATI MOODLIAR’s photo & URL http://www.mkis.edu.my/.  Please use your mighty “facebook” voices & mouse clicks to help 12-year-old boy Nayati.

contact Mont'Kiara Int'l School Kuala Lumpur--HELP Nayati Shamelin Moodliar return to his parents

KIDNAPPED on 27 April 2012 on his way to school.

NAYATI MOODLIAR

from Mont’Kiara, Kuala Lumpur, Malaysia

12 years old,  4ft. 11 in. (1.5 m) height, dark brown hair and eyes

mixed origin of Indian and Caucasian.

Please circulate NAYATI’s photo, description and this URL: http://www.mkis.edu.my/

http://www.malaysiandigest.com/news/43429-international-school-student-abducted-this-morning.html   has YouTube video of Nayati Shamelin Moodliar’s parents’ plea to help find their son.

http://www.mkis.edu.my/  has photo of Nayati Shamelin Moodliar

“If you have seen this child, call Malaysian Police 999, or Mont’Kiara International School, Kuala Lumpur, Malaysia +60 3 2093 8604.

“In the abduction of Nayati Shamelin Moodliar (12-year-old boy, 7th grade student)  in Mont’Kiara, the auto used was a black Proton Gen 2. The tag number is WNH 1356. There were two Indian male occupants.

“Another Facebook post said that, at the time of the abduction, Nayati was wearing green shorts and a white polo t-shirt with the school’s emblem. It also said that Nayati was “on the way to school, corner of Jalan Kiara 1 & Jalan Kiara, white van took him. Any info to rescue him? Contact his parents Sham 019 233 3065 and Janice 012 365 6202.”  http://www.mkis.edu.my/

Thank you!

Sincerely,

Teresa LeYung-Ryan

http://www.facebook.com/Teresa.LeYung.Ryan

Coach Teresa, do I really have to blog often to build my platform?

A gracious author emailed me a poignant question after today’s tele-roundtable discussions (sponsored by Linda Joy Myers and National Association of Memoir Writers http://www.namw.org ).

I will reveal her name if she wishes. For now, I’ll respond to Gracious Author’s concerns in a way that will hopefully help her and other hardworking writers to “reach out, not stress out, while building your platform.”

I’ll paraphrase  Gracious Author’s dilemma:

“Coach Teresa, you said we are experts of our experiences and to make our names synonymous with the themes/subject matters/issues we write about.  I don’t want to blog about my traumatic experiences; and, I’m writing a genre that makes me happy. What to do?”

Remember my closing statement at the tele-roundtable discussions?

“You deserve to make your dearest dreams come true. Wear your 2 hats:  polish the craft; building your platform to help your fans find you.”

If a task doesn’t give you joy, do something else.

Who was the author on the tele-roundtable discussions who said she has written a happy story (growing up in the 1950s)? This author could be blogging about other books, movies, music, art, world events from that decade. Or focusing on that city/town/neighborhood.  Be the expert. Be the resource.

You love writing screenplays or plays?

Who are the screenwriters and playwrights you respect?

What are the themes in their projects?

What are the themes in your project?

What if I blogged about these writers who inspire me and about their protagonists?

What if I blogged about the writers who inspired the writers who inspire me?

Blog about the music or the setting or the historical figures in your work and the works similar to yours.

Example:  I have many books in my library that I want to read. Bastard Out of Carolina (by Dorothy Allison) is one of them. Last year I was a presenter at San Francisco Writers Conference.   A month before the event, I found out that Dorothy Allison was going to be a keynote speaker. So, I started reading her novel. What a page-turner!

At the conference I ran into Dorothy in the hallway and I told her what page I was on. I saw her again when she was on a panel about banned books (moderated by Barbara Santos). Dorothy Allison is someone I wanted to blog about.

In my blog post What to Do Before Hiring an Editor for My Manuscript? under the section “Paying Attention to Language and Rules,” this is what I said about Dorothy.

In Bastard Out of Carolina, Dorothy Allison’s protagonist Bone is a girl.  Bone’s voice is convincing in dialogue and in internal monologue. Brilliant use of dialect.

Then, when author Vicki Hudson told me that she created “I Sent Bastard to School” Fund, I blogged to show support.

Your blog posts, book reviews, movie reviews, stage play reviews, comments on other people’s blogs . . . can be short.  Talk about how the themes hooked you or what you learned from the characters; then sign off with your full name and your mission statement (by Day 9 in my workbook, you’ll have your brilliant mission statement)

A blog is just one of the “venues” for your fans to experience you. Fans can interact with you through your blog (the way you can interact with me with this blog–by submitting a comment). A blog keeps count of number of visitors.

What other venues keep count of number of visitors/viewers?

Websites (a blog is an interactive website)

YouTube !  facebook!   Twitter!  Here’s my YouTube channel: http://www.youtube.com/teresaleyung

Name some more venues. . .

Gracious Author who is writing screenplays–perhaps instead of blogging, you’ll invest time creating one-minute videos of your articulating the themes in the screenplays that hook you; write a description for each video. Write reviews on Amazon; publish the same reviews on your blog or YouTube channel. You become a resource center.

More examples – why you want to help your fans find you:

Two years ago I went to see Carol Sheldon’s 15-minute play at Fringe of Marin One Act Plays. I invited friends. Carol’s play was delightful. I blogged about my theatre experience. Two weeks later, I received an email from a theatre goer who couldn’t find Fringe of Marin’s website but she found information about the theatre company from my blog!  She couldn’t find their website because there wasn’t one.  I am happy to say that Fringe of Marin has a lovely website now.

A week after beloved Effie Lee Morris (retired children’s librarian/visionary/advocate/author) died, I received an email from a reporter half-way across the country who wanted to talk to a family member of Effie Lee.   He said that even though he found many websites showing Effie Lee’s biographies and interviews, he couldn’t find anyone who knew how to contact her relatives. He found some of the information he needed through my blog posts; so, he emailed me to get more.  I was a resource.  I knew Effie Lee as the founder-president of Women’s National Book Association-San Francisco Chapter. She inspired the Friends of SFPL to create the annual Effie Lee Morris Lecture–to honor a children’s book author.

So you see how blogs connect people and serve as resource centers? Make your blog whatever you want it to be.  Julie Powell cooked one Julia Child recipe each day–that in itself was already an accomplishment.  Guess what? Julie blogged about cooking a Julia recipe each day.  Publishers found her.  She received a big advance to write the memoir.

Your platform-building style is unique. Developing a new habit though, does require effort/consistency.  That is why I designed a workbook with exercises for at least  21 consecutive days. The 22nd day is celebrations.

To participate in this blog post, submit a comment by: clicking on the blue title bar of this post, scrolling down to get the boxes, filling in the boxes and click on “submit comment” button — so that thousands of my fans will see your name, URL (your website/blog address if you have one), what themes/subject matters/issues hook you, and, what themes/subject matters/issues you want to spotlight.

I wish you joy, light, and a dancing heart.

Sincerely,
Coach Teresa LeYung-Ryan

http://writingcoachteresa.com

Build Your Writer’s Platform & Fanbase In 22 Days: Attract Agents, Editors, Publishers, Readers, and Media Attention NOW (the fun workbook)

Manuscript Consultant/Editor/Coach Teresa Loves to See the Words in Movies/Films

Coach Teresa here…  I love to study the dialogue in movies.  Oftentimes I turn on “English subtitles” so that I can “see” the words.   Such a simple technique to help me be a better editor for my clients and a better writer of my own stories.

Two of my favorite movies?   Bagdad Cafe aka Out of Rosenheim (written and produced by Eleonore and Percy Adlon; screenplay co-writer Christopher Doherty; stars: Marianne Sägebrecht, CCH Pounder and Jack Palance) and The Apartment (written by Billy Wilder and I.A.L. Diamond; stars: Jack Lemmon, Shirley MacLaine, Fred MacMurray, Jack Kruschen, Edie Adams)

Listen and look for metaphors, foreshadowing, and thematic significance in the dialogue.

Of course the acting, directing, music, set design, costumes, filming, editing are superb too in both movies.

In Bagdad Cafe “Calling You” sung by Jevetta Steele (words and music by Bob Telson) is beautifully haunting.

In The Apartment, even the theme-tunes for the major characters follow plot points.

I’ll be blogging more about themes and archetypes in these two movies.

I love helping writers identify themes and archetypes in their manuscripts and make their names synonymous with the subject matters/issues they write about to a attract agents, editors, publishers, readers, and media attention before and after publication. Reach out, not stress out, when pursuing your dreams!

Happy writing!

Sincerely,

Coach Teresa LeYung-Ryan

Please visit my website http://writingcoachteresa.com

If you wish to email me, I’m writingcoachTeresa at gmail.com

Author of Build Your Writer’s Platform & Fanbase In 22 Days: Attract Agents, Editors, Publishers, Readers, and Media Attention NOW (print edition $12.96  & eBook edition $9.81)

and the novel Love Made of Heart (inspires adult children of mentally ill parents to speak openly about the stigmas and find resources for their families)

What Is So Important About Public Libraries?

Public libraries (also called “circulating libraries“) exist in most places in the world and are often considered an essential part of having an educated and literate population.  Then, why is Mayor Jean Quan proposing to close Oakland (California) public libraries?

Please please call, write to or email Mayor Jean Quan’s office, City Councilmembers, and Oakland City Administration.
Libraries help keep a city “safe” and literate… 

Mayor Jean Quan’s Office – officeofthemayor@oaklandnet.com

* District 1 – Jane Brunner    jbrunner@oaklandnet.com
* District 2 – Pat Kernighan  pkernighan@oaklandnet.com
* District 3 – Nancy Nadel  nnadel@oaklandnet.com
* District 4 – Libby Schaaf  lschaaf@oaklandnet.com
* District 5 – Ignacio De La Fuente  idelafuente@oaklandnet.com
* District 6 – Desley Brooks  dbrooks@oaklandnet.com
* District 7 – Larry Reid  lreid@oaklandnet.com
* At-Large – Rebecca Kaplan  atlarge@oaklandnet.com

Oakland City Administration – cityadministrator@oaklandnet.com

What else can we do?  http://www.saveoaklandlibrary.org has suggestions:

http://saveoaklandlibrary.org/act-now/

• Keep libraries open. Don’t close branch libraries or reduce service hours at any library.
• Don’t violate the public trust by throwing away Measure Q funds
• Closing libraries hurts all of Oakland’s citizens.
• Libraries give everyone, regardless of income, free access to books and the Internet.
• Libraries have already sacrificed by limiting service to 5 days/week at all of the branches.
• These cuts are unfair. The Library represents only 2% of the general fund monies but the “All Cuts” proposal calls for 198 full time library jobs to be eliminated out of 367 citywide. The library’s share of jobs lost equals more than 52% of the total positions eliminated.
• Measure Q supplies the library’s entire budget for buying books, DVDs, CDs, downloadable audiobooks and e-books, and other popular materials. Locations which remain open will not have new materials to offer the public.
• The “All Cuts” budget proposal suggests that there will be limited or no programs, including adult literacy, children’s storytimes and the Summer Reading Game.

Sincerely,

Teresa LeYung-Ryan “Let’s use our mighty voices for public libraries!’

Author, Manuscript Consultant,  Writing Career Coach

I’m speaking as an editor/manuscript consultant. Whether you are writing fiction or narrative non-fiction, employing dialogue that not only represents each character’s personality but also gives clues  in an entertaining way will move your story forward.

How important is dialogue in a memoir or novel? Re-read your favorite story and study the author’s techniques.

When I’m not editing for my wonderful clients, I study dialogue in movies.
Since a script usually doesn’t offer narrative or internal monologue to supplement “words” the way a book does, dialogue (and how the lines are delivered) is an essential component in story-telling.  I love smart dialogue.

In the movie Woman Chases Man (1937), protagonist Virginia Travis, a starving architect (Miriam Hopkins) sees three portraits in the living room of B.J. Nolan (Charles Winninger).

Virginia:  (She sees a portrait of a little boy holding  Pilgram’s Progress)  “Who’s that?”

BJ:  “My son Kenneth.”

Virginia:  (She’s looking at the second portrait–a teenage boy holding the same book) “ Another son?”

BJ:  “Same one. Age sixteen.”

Virginia:  “Must be a slow reader.”

Virginia:   (She looks at third portrait–a young man in his cap and gown, holding diploma)  “I see he finished the book.”

BJ:  “Yeah, he has the checkbook now.”

Virginia:  “I had a checkbook once.”

The story is launched, with B. J. and Virginia scheming to get  Kenneth (Joel McCrae) to sign a check.  By the way, young Broderick Crawford’s portrayal of Hunk (friend of Virginia, disguising as B.J.’s butler) is hilarious.

Screen play by Joseph Anthony, Mannie Seff and David Hertz

Original story by Lynn Root and Frank Fenton

* * * * * * * * * * * * * * * * * *

In Cold Comfort Farm (1995) screenplay by Malcolm Bradbury, from the novel by Stella Gibbons (1930s), protagonist Flora Poste (recently orphaned) moves to the country to live with her relatives so that she can live on her modest 100 pounds a year and be a novelist.  Flora’s relations are odd in deed.  The mysterious matriarch, Flora’s Great Aunt Ada, doesn’t leave her room because she suffers from a terrifying memory of an event. As a girl, Ada had seen “something nasty in the wood shed” and now decades later she still has recurring nightmares.  Flora is the first person to ask Aunt Ada questions, which serves as the turning point in the story.  As it turns out, Aunt Ada doesn’t remember what she saw. But she won’t let go of her suffering (or let her family leave the farm either).

Toward the end of the story when a movie Czar Mr. Neck comes to the farm to take her grandson Seth to Hollywood . . . Great Aunt Ada comes running out of the house . . .
Great Aunt Ada : “I saw something nasty in the wood shed.”

Mr. Neck:  “Sure you did, but did they see you Baby?”

Coach Teresa here.  I emailed my friend Margaret Davis (author of Straight Down the Middle) to ask her if she has seen the movie and Margaret replied:
“My mother had a selection of novels in our house when I was growing up.  I was an avid reader, and I read, and reread, many of them over and over.  I knew Cold Comfort Farm by heart!  I also enjoyed Stella Gibbons’s book Nightingale Wood (also knew it by heart as a child!), and I know my own writing is definitely influenced by her.”

Happy New Year & New Writing Energy to Everyone!

Remember to employ dialogue that not only represents each character’s personality but also gives clues  in an entertaining way to move your story forward.

Sincerely,

Teresa LeYung Ryan

Manuscript Consultant / Writing Career Coach / Author / Publisher

http://WritingCoachTeresa.com

My pal Elisa Southard, author/travel writer/marketing coach, got me a ticket to the  Diablo Actors Ensemble’s production of Twelve Angry Men (by Reginald Rose, the teleplay was first broadcast live on CBS’s show Studio One in 1954).   Seasoned actor Will Southard (Elisa’s husband) portrays Juror #8 (the role played by Robert Cummings in the teleplay and then by Henry Fonda in the film).

I went to Diablo Actors Ensemble with  Elisa’s father-in-law and sister-in-law Kaer Soutthard of Executive Support Solutions and CardkinArts.

http://executivesupportsolutions.biz/

Twelve Angry Men is one of the plays I would watch again and again.  Reginald Rose’s lines/expressions of prejudices are raw and timeless.  Every moment in the play is layered with dramatic tension.

What is the play Twelve Angry Men about?

Twelve jurors in deliberation.   A sixteen-year-old Latino is charged with murder/stabbing his father in the chest with a switchblade. Will the jurors find him “not guilty”?  Or will they vote “guilty”?   The verdict of guilty will mean the death penalty for the boy. One juror stands alone to say: “I have reasonable doubt.”

Will Southard as Juror 8 in what I'd call symbolism in stage direction of "looking out" and "thinking outside the box"

Fine performances by Will Southard and his fellow cast members.  Bravo, Will !

This engagement is pretty much sold-out.  Contact the Diablo Actors Ensemble (a 50-seat theater) in Walnut Creek, CA

If I were given the opportunity to audition for a part in this play, I would want to be Juror #5 (portrayed by Eddie Peabody for Diablo Actors Ensemble, by Jack Klugman in the film, and by Lee Philips in the teleplay.)

I applaud the cast, director Vince Faso, the crew, Artistic Director Scott Fryer (who was also Foreman in the cast), Managing Director Samantha Fryer, and DAE board members and volunteers.

Elisa Southard, recent-keynote speaker at the Redwood Writers Conference, I thank you again for inviting me to this powerful performance.   My party afterward (stimulating conversations with playwright/director Kathryn McCarty, Elisa’s and Will’s siblings, their in-laws and friends) was icing on the cake!

http://www.enotes.com/twelve-angry-men

In the teleplay, Robert Cummings was Juror #8,  Franchot Tone Juror #3, and Edward Arnold Juror #10. I’m going to look for a copy of teleplay.

Sincerely,

Teresa LeYung Ryan

Book Doctor/Manuscript Consultant, Writing Career Coach, Author, Publisher

Teresa specializes in editing fiction with universal themes; women’s memoirs; novels for young adults; short stories.  She likes spunky protagonists.

Love Made of Heart is:
• recommended by the California School Library Association and the California Reading Association

• read by students at Stanford University, U.C. Berkeley, CCSF, and many other colleges and high schools.

• used in Advanced Composition English-as-a-Second-Language classes
• archived at the San Francisco History Center

GraceArt Publishing is the publisher of Build My Name, Beat the Game: 22 Days to Identify & Develop My Writer’s Platform to Attract Agents, Acquisition Editors, Publishers, Readers, and Media Attention.

Teresa says: “Reach out, not stress out, when building your writer’s name/platform.”  

To comment on any of my columns (blog posts), just click on the blue title bar of the post, fill in the boxes and press “submit.”  Please click here for my blog http://lovemadeofheart.com/blog/